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Thrilling Holiday Gift Book: A Controversial, True Story - One Man Caught in U.S. Government Psychic Spy Experiments
SACRAMENTO, Calif. -- The ideal Christmas gift for those intrigued by governmental conspiracy, OPERATION BLUE LIGHT: My Secret Life Among Psychic Spies (Cherubim Publishing, ISBN 978-0-9816024-0-0), is one of the most scintillating memoirs ever to be written. A true story of deception and subterfuge, it took Philip Chabot 40 years to tell us about his amazing experience.

New Children's Book from Jeremy Zilber Lets Kids Know 'Mama Voted for Obama!'
MADISON, Wis. -- Building on the success of 'Why Mommy is a Democrat,' author and political activist Jeremy Zilber announces the release of his third self-published children's book, 'Mama Voted for Obama!' (ISBN: 978-0-9786688-2-2). With its Seuss-like use of repetition, rhythm, and rhyme, Mama Voted for Obama offers a whimsical celebration of Obama's historic presidential campaign while providing his supporters an entertaining way to let their kids know how they voted in 2008.

Epic Fantasy Book Series Website Honored in 2008 National Best Books Awards
LANCASTER, Texas -- The Green Stone of Healing(R) epic fantasy website is among the finalists of the 2008 National Best Books Awards sponsored by USABookNews, HealingStone Books announced today. The award-winning website is honored in the Best Website Design category. The site provides much-needed background for a complex saga packed with romance, intrigue, mysticism, and adventure.

The Port of Adventure - Charles Norris Williamson and Alice Muriel Williamson

C >> Charles Norris Williamson and Alice Muriel Williamson >> The Port of Adventure

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THE PORT OF ADVENTURE


By

Charles Norris Williamson

and

Alice Muriel Williamson


1913

Published in Great Britain under the title: The Love Pirate.




BY THE SAME AUTHORS

LORD LOVELAND DISCOVERS AMERICA
ROSEMARY IN SEARCH OF A FATHER
LADY BETTY ACROSS THE WATER
MY FRIEND THE CHAUFFEUR
THE LIGHTNING CONDUCTOR
THE GUESTS OF HERCULES
THE PRINCESS VIRGINIA
THE GOLDEN SILENCE
THE CAR OF DESTINY
THE MOTOR MAID
THE CHAPERON
SET IN SILVER
THE HEATHER MOON

TO

THREE FRIENDS IN CALIFORNIA

CONTENTS

CHAPTER

I. IN A GARDEN
II. NICK
III. THE ANNIVERSARY
IV. A GIRL IN MOURNING
V. WHAT HAPPENED IN THE NIGHT
VI. WHEN THE TABLES WERE TURNED
VII. A POLICE MYSTERY
VIII. THE GOLD BAG COMEDY
IX. THE LAST ACT OF THE GOLD BAG COMEDY
X. WHEN ANGELA WENT SIGHTSEEING
XI. THE MAN AT THE WHEEL
XII. THE BEAUTIFUL COUNTRY OF MAKE-BELIEVE
XIII. FOR THE SAKE OF DRAMATIC EFFECT
XIV. THE MYSTERY OF SAN MIGUEL
XV. THE WISE BIRD IN THE DARK
XVI. ANGELA AT HER WORST
XVII. SEVENTEEN-MILE DRIVE
XVIII. LA DONNA E MOBILE
XIX. THE CITY OF ROMANCE
XX. THE DOOR WITH THE RED LABEL
XXI. "WHO IS MRS. MAY?"
XXII. THE BOX OF MYSTERY
XXIII. THE HAPPY VALLEY
XXIV. THE BEST THING IN HER LIFE
XXV. THE BROKEN MELODY
XXVI. AN INVITATION FROM CARMEN
XXVII. SIMEON HARP
XXVIII. THE DARK CLOUD IN THE CRYSTAL
XXIX. THE PARTING OF THE WAYS
XXX. THE MAKING OF A GENTLEMAN
XXXI. THE BREAKING OF THE SPELL
XXXII. AN END--AND A BEGINNING


LIST OF ILLUSTRATIONS

"Nick thought her adorable in her gray motor bonnet"

"Santa Barbara Mission, with its history and romance"

"Angela was enchanted with the peninsula of Monterey"

"They weren't trees, but people, either nymphs or witches"

"The world was a sea, billowing with mountains"




PROLOGUE

On a great ship a woman sailed away from the Old World, wishing to forget.
In her mind was the thought of a far-off place toward which she was
travelling. There were no figures in this mental picture. She painted it
as a mere flowery background; for she was very tired of people.

In the New World, a man lived and worked, and dreamed--when he had time.

Between this woman and this man lay six thousand miles of land and sea.
They were two, among many millions, and they did not know of each other's
existence. There was no visible reason why they ever should know, or why
they should ever meet. Yet, sometimes when the moon shone on the sea, the
woman said to herself that the bright path paving the water with gold
seemed to lead on and on beyond the horizon, as if it might go all the way
to the Golden Gate. And the Golden Gate is the Port of Adventure, where
every unexpected thing can happen.




I

IN A GARDEN


"I wonder what makes Nick so late?" Carmen Gaylor thought, hovering in the
doorway between the dim, cool hall and the huge veranda that was like an
out-of-doors drawing-room.

Though she spoke English well--almost as well as if she had not been born
in Spain and made her greatest successes in the City of Mexico--Carmen
thought in Spanish, for her heart was Spanish, and her beauty too.

She was always handsome, but she was beautiful as she came out into the
sunset gold which seemed meant for her, as stage lights are turned on for
the heroine of a play; and there was something about Carmen which
suggested strong drama. Even the setting in which she framed herself was
like an ideal scene for a first act.

The house was not very old, and not really Spanish, but it had been
designed by an architect who knew Carmen, with the purpose of giving a
Spanish effect. He had known exactly the sort of background to suit her, a
background as expensive as picturesque; a millionaire husband had paid for
it. There were many verandas and pergolas, but this immense out-of-doors
room had wide archways instead of pillars, curtained with white and purple
passion flowers; and the creamy stucco of the house-wall, and the ruddy
Spanish tiles, which already looked mellow with age, were half hidden with
climbing roses and grapevines.

Three shallow steps of pansy-coloured bricks went all the length of the
gallery, descending to a terrace floored with the same brick, which held
dim tints of purple, old rose, gray and yellow, almost like a faded
Persian rug.

When Carmen had looked past the fountain across the lawn, down the path
cut between pink oleanders, where the man she expected ought to appear,
she trailed her white dress over terrace and grass to peer under the green
roof of the bamboo forest. It was like a temple with tall pillars of
priceless jade that supported a roof of the same gray-green, starred in a
vague pattern with the jewels of sunset. Carmen did not see the beauty of
the magic temple, though she was conscious of her own. She hated to think
that Nick Hilliard should keep her waiting, and there was cruelty in the
clutch she made at a cluster of orange blossoms as she passed a long row
of trees in terra-cotta pots on the terrace. Under the bamboos she
scattered a handful of creamy petals on the golden brown earth, and rubbed
them into the ground with the point of her bronze shoe. Then she held up
her hand to her face, to smell the sweetness crushed out of the blossoms.

Why didn't Nick come?

There was a short cut leading from the land which she had selected off her
own immense ranch to sell to Nick Hilliard, and this way he sometimes took
if he were in a hurry. But she knew that he loved the path between the
pink walls of oleander, and preferred to come by it, though it was
longer. He ought to have been with her at least ten minutes ago, for she
had asked him to come early. She had said in the letter which she gave old
Simeon Harp to take to Nick, "This is your last night. There are a great,
great many things I want to talk to you about." But there was only one
thing about which she wished Nick Hilliard to talk to her, and there were
two reasons why she expected him to talk of it to-night.

One reason was, because he was going East, and planned to be gone a month,
a dreadful plan which she feared and detested. The second reason concerned
the anniversary of a certain event. Some people would have called the
event a tragedy, but to Carmen it had made life worth living. Other
people's tragedies were shadowy affairs to her, if she had not to suffer
from them.

It was one of her pleasures to dress beautifully, in a style that might
have seemed exaggerated on a different type of woman, and would have been
extravagant for any except the mistress of a fortune. But never had Carmen
taken more pains than to-night, when she expected only one guest. Her
white chiffon and silver tissue might have been a wedding gown. She adored
jewellery, and had been almost a slave to her love for it, until she began
to value something else more--something which, unfortunately, her money
could not buy, though she hoped and prayed her face might win it. She had
quantities of diamonds, emeralds, and rubies--her favourite stones--but
instinct had told her that even one would spoil the effect she wished to
make to-night. She wore only a long rope of pearls, which would have
suited a bride; and as she stood in the shadow of her bamboo temple, the
pearls drank iridescent lights: green from the jade-coloured trees, pink
from roses trailing over arbours, and gold from the California poppies
thick among the grass.

Of course, any one of many reasonable things might have happened to delay
Nick. He was busy, busier even than when he had been foreman of the Gaylor
ranch a year ago, but Carmen could not bear to think that he would let
mere reasonable things keep him away from her, just this night of all
others. For exactly a year--a year to-day, a year this morning, so it was
already more than a year--she had ceased to be a slave, and she had had
everything she wanted, except one thing. Perhaps she had that too, yet she
was not sure: and she could hardly wait to be sure. Nobody but Nick could
make her so, and he ought to be in joyful haste to do it. He was not cold
blooded. One could not look at Nick and think him that, yet to her he
sometimes seemed indifferent. Carmen made herself believe that it was his
respect which held him back. How desperately she wanted to know! Yet there
was a strange pleasure in not knowing, such as she might never feel again,
when she was sure.

Suddenly, far off, there was a rustling in the bamboo forest. A figure
like a shadow, but darker than other shadows, moved in the distance.
Carmen's heart jumped. She took a step forward, then stopped. It was not
Nick Hilliard after all, but old Simeon Harp, the squirrel poisoner,
coming from the direction of Nick's ranch, bringing her a message, maybe.
She felt she could not possibly bear it if Nick were not coming, and she
hated him at the bare thought that he might send an excuse at the last
moment.

"What is it, Sim?" she called out sharply, as the queer, gnarled figure of
the old man hobbled nearer.

"Nothing, my lady," Simeon Harp answered in the husky voice of one who is
or has been a drunkard. "Nothing, only I was over at Nick's finishin' up a
bit of my work, and he said, would I tell you he was sorry to be late.
He's had somebody with him all afternoon, and no time to pack till just
now. But he'll be along presently."

Harp was an Englishman, with some fading signs about him of decent birth,
decent education and upbringing, but such signs were blurred and almost
obliterated by the habits which had degraded him. He would have been dead
or in prison or the poorhouse years ago if Carmen had not chosen to rescue
him, more through a whim than from genuine charity. Her mother's people
had been English, and somehow she had not cared to see an Englishman
thrown to the dogs in this country which was not hers nor his. In days
when her word was law for the infatuated and brutal man whose death
anniversary it now was, this bit of human driftwood--failure, drunkard,
rascal--had been found trespassing on the ranch. If Carmen had not chosen
to show her power over old "Grizzly Gaylor" by protecting the poor wretch,
Harp would have met the fate he probably deserved. But she had amused
herself, and saved him. Sick and forlorn, he had been nursed back to
something like health in the house of one among many gardeners. Since then
he had been her slave, her dog. He called her "my lady," and she rather
liked the name. She liked the worshipping admiration in the red-lidded
eyes which had once been handsome, and she believed, what he often said,
that there was nothing on earth he wouldn't do for her. Once or twice the
thought had pierced her brain like a sharp needle, that perhaps he had
already done a thing for her--a great thing. But it was better not to
know, not even to guess. Fortunately the idea had apparently never
occurred to any one else, and of course it never could now. Yet there had
been a very curious look in Simeon Harp's eyes a year ago when---- ... Not
that it proved anything. There was always a more or less curious look in
his eyes. He was altogether a curious person, perhaps a little mad, or, at
any rate, vague. Especially was he vague about his reasons for leaving his
native land to emigrate to America. He said it was so long ago, and he had
gone through so much, that he had forgotten. There are some things it is
as well to forget. Since Carmen had known him, Simeon Harp had tried his
luck as a water diviner, but failing, sometimes when he most wished to
succeed, in that profession, he had now definitely settled down as
squirrel poisoner to the neighbourhood. Those pests to farmers and
ranchmen, ground squirrels, had given the strange old man a chance to
build up a reputation of a sort. As a squirrel poisoner he was a brilliant
success.

"Who gave you permission to call Mr. Hilliard 'Nick'?" Carmen asked, not
very sternly, for she was pleased to have news from the other ranch. After
all, if Nick had had a visitor he might not be to blame.

"Why, everybody calls him 'Nick'," explained Simeon, huskily. "But I
won't, if it isn't your will, my lady."

"Oh, I don't care, if _he_ doesn't. Only----" she broke off, slightly
confused. Even to this old wretch she could not say, "It isn't suitable
that you should use my future husband's Christian name as if he were down
on the same level with a man like you." She could not be sure that Nick
would be her husband, though it seemed practically certain. Besides, if
Hilliard was "Nick" to everybody, it was a token of his popularity; and
Nick himself was the last man to forget that he had risen to his present
place by climbing up from the lowest rung of the ladder--the ladder of
poverty. She could not imagine his "putting on airs," as he would call it,
though she thought it might be better if he were less of the
"hail-fellow-well-met," and more of the master in manner among his own
cattlemen, and particularly with the wild riff-raff that had rushed to his
land with the oil boom.

"Who was with him--some man, I suppose?" she asked of the squirrel
poisoner, who stood quietly adoring her with eyes dimmed by drink and
years. He had so settled down on his rheumatic old joints that he had
become dwarfish in stature as well as gnarled in shape, and looked a
gnomelike thing, gazing up at the tall young woman.

"Oh, yes, it was a man, of course," Simeon assured her. "There couldn't be
any women for him who knows you, it seems to me, my lady. And you were
never as handsome as you are this night. It warms the heart to set eyes on
you, like the wine you give me on your birthdays, to drink your health."

Carmen was pleased with praise, even a squirrel poisoner's praise. She
could never have too much.

"You needn't wait for my birthday," she laughed. "I don't mean to have
another for a good long time, Sim! You can have some of that wine
to-night."

"Thank you, my lady. It's an anniversary, too," he mumbled, lowering his
husky voice for the last words. But Carmen heard them. "You remember
that!" she exclaimed, without stopping to think, or perhaps she would not
have spoken.

"Oh, yes, my lady, I remember," he said. "There's reasons--several good
reasons--why I shan't forget that as long as I live. You see, things was
gettin' pretty bad for you, and so----"

"Don't let's talk of it, Sim!" she broke in sharply.

"No, my lady, we won't," he agreed. "I was only goin' to say, things bein'
so bad made what happened a matter for rejoicin' and not sorrow, to those
who wish you well. That's all--that's all, my lady."

"Thank you, Sim. I know you're fond of me--and grateful," Carmen said.
"Things _were_ bad. I don't pretend to grieve. I shouldn't even have worn
mourning, if Madame Vestris, the great palmist in San Francisco, hadn't
told me it would bring me ill luck not to. I'm glad the year's up. I hate
black! This is a better anniversary than a silly old birthday, Sim!"

"Yes, and that reminds me, my lady," said Simeon, "that I've put together
enough perfect skins of the squirrels I've killed without the dope to make
the grand automobile coat I've been promisin' you so long. Got the last
skin cured to-day, as it happened. Maybe, that'll bring you _good_ luck!"

"Oh, I hope so!" she cried.

"Here's Nick--Mr. Hilliard," Harp announced, nodding his gray head in the
direction of the oleander path, to which Carmen's back was turned as she
stood.

She wheeled quickly, and saw a tall young man coming toward her, with long
strides. Instantly, she forgot Simeon Harp, and did not even see him as he
hobbled away, pulling on to his head the moth-eaten cap of squirrel fur
which he always wore, summer and winter, as if for a sign of his trade.




II

NICK


Nick Hilliard snatched off his sombrero as he came swinging along the
oleander path. He was tall, fully six feet in height, and looked taller
than he was, being lean and hard, with long straight legs which could
carry him very fast over great stretches of country. Also he had a way of
holding his head high, a way which a man gets if he is in the habit of
gazing toward far horizons. He had a well-cut nose, a good chin, and a
mouth that meant strength of purpose, though some of his friends laughed
at him for a "womanish" curve of the upper lip. Luckily Nick did not mind
being laughed at by his friends. His face was almost as brown as his hair,
for the sun had darkened the one and bleached the other; but the hair was
nice hair, with a glow of auburn in it, which contrasted not
uninterestingly with his black, straight brows. It was, however, the
brilliance of the brook-brown eyes which made Nick a handsome man, and not
merely a "good-looking fellow." It was because of his eyes that women
turned in the street for another glance when he went into Bakersfield or
Fresno; but Nick never knew that they turned. He liked pretty girls, and
enjoyed their society, but was too busy to seek it, and had had little of
it in his life. It did not occur to him that he had qualities to attract
women. Indeed, he wasted few thoughts upon himself as an individual; not
enough, perhaps; for he gave his whole attention to his work. Work was
what he liked best, even without the ultimate success it brought, but
lately he had begun to long for a change. He had a strong wish to go East,
and a reason for the wish.

Carmen held out both hands, and enjoyed seeing how white they looked in
Nick's sunburned, slightly freckled ones. He shook hers, frankly, warmly,
and apologized for his "rig," which was certainly far from conventional.
"I'm ashamed of myself for blowin' in on you this way," he said,
"especially as you're so mighty fine. I hope you'll excuse me, for you
know I pull out to-night, and Jim Beach is bringin' the buggy along here
for me, with my grip in it. If I'd piked back home afterward, my visit
with you'd have been a cut game."

"Ah, I'm glad you arranged not to go back," said Carmen. "I want you to
stay with me as long as you can. I like you in those clothes." She smiled
at him as if she would like him in anything; but Nick was thinking about
Jim Beach, wondering if the boy would have trouble with the flea-bitten
gray, which he himself had newly broken to harness.

"All the same," Carmen went on, "though I like them, you haven't got much
vanity if you mean to wear those things to travel East, and land in New
York."

"Why, what's the matter with 'em, Mrs. Gaylor?" Nick asked. He spoke
carelessly, in the matter of accent as well as of his feeling about the
clothes. He cut off his words in a slipshod way, as if he had never had
time to think much about the value or beauty of the English language.
Still, though his speech was not that of a cultivated man, it did not
grate on the ear. His voice was singularly pleasant, even sweet, with
something of boyish gaiety in it.

"The things are all right, Nick, and you're all right in them. You needn't
worry," said Carmen. "Only--well, I don't believe there'll be anything
else like them--or like you either--in New York."

Nick looked himself over indifferently. He wore a "soft" white shirt, with
a low collar turned over a black scarf tied anyhow. There was a leather
belt round his waist, which obviated the need of a waistcoat or
suspenders. His short coat and trousers were of navy blue serge.
Everything he had on was neat and of good material, but Carmen smiled when
she thought of this tall, belted figure, hatted with a gray sombrero on
the back of its head, arriving at one of the best hotels in New York. Nick
was pretty sure to go to one of the best hotels. He wanted to see life, no
doubt, and get his money's worth. Her smile was as tender as Carmen's
smile could be, however, and she was pleased that he was not "dressing up"
to make an impression on pretty women in the East.

"I don't care what anybody thinks about me in New York," said he. "As long
as _you_ excuse me for not having on my Sunday-go-to-meeting rags to dine
with you, I don't mind the rest."

"I thought you were never coming," she said, changing the subject.

"So did I, by George! I thought the fellow'd never go."

"Was it a deputation to say good-bye?"

"Lord, no, Mrs. Gaylor! It was a chap you don't know, I guess. I only ran
up against him lately, since I sold my gusher to the United Oil Company.
He's their lawyer--and does some work for the railroad too. Smart sort of
man he seems to be, though kind of stiff when you first know him: between
forty and forty-five, maybe: name's Henry Morehouse, a brother of a bank
manager in San Francisco."

"James Morehouse the banker is a very rich, important man," said Carmen,
somewhat impressed by the idea of Nick's new friend who had stayed too
long. "I've never met his family myself. You know how close I was kept
till a year ago. But I've heard of them. They're in with the Falconer set
and that lot, so it shows they're smart. What does Henry Morehouse want,
making up to you, Nick?"

"It was oil business brought us together and he seemed to take a sort of
likin' to me. We care about some o' the same things--books and that. Now
he's going East--maybe on more oil business. Anyhow, he proposes we share
a stateroom on the Limited, and he's been recommendin' his hotel in New
York. I was kind of plannin' to be a swell, and hang out at the
Waldorf-Astoria, to see the nobs at home. But his place sounds nice, and I
like bein' with him pretty well. He's lit up with bright ideas and maybe
he'll pass on some to me. His business won't keep him long, he thinks; and
he's promised his brother James to look after a lady who's landing from
Europe about the time we're due in New York. He'll meet her ship; and if
she doesn't want to stay East any length of time, he'll bring her back to
California. She means to settle out here."

Carmen's face hardened into anxious lines, though she kept up a smile of
interest. She looked older than she had looked when she held out her hands
to Nick. She had been about twenty-six then. Now she was over thirty.

"Is the lady young or old?" she asked.

"I don't know anything about her," Nick answered with a ring of
truthfulness in his voice which Carmen's keen ears accepted. "All I can
tell you is, that she's a Mrs. May, a relation or friend of Franklin
Merriam the big California millionaire who died East about ten years
ago--about the time I was first cowpunching on your ranch."

"Oh, the Franklin Merriam who made such stacks of money irrigating desert
land he owned somewhere in the southern part of the State!" Carmen sighed
with relief. "I've heard of him of course. He must have been middle-aged
when he died, so probably this woman's old or oldish."

"I suppose so," Nick readily agreed. "Great king, isn't it mighty sweet
here to-night? It looks like heaven, I guess, and you're like--like----"

"If this is heaven, am I an angel? _Do_ I seem like that to you?"

"Well, no--not exactly my idea of an angel, somehow: though I don't know,"
he reflected aloud. "You're sure handsome enough--for anything, Mrs.
Gaylor. But I've always thought of angels lily white, with moonlight hair
and starry eyes."

"You're quite poetical!" retorted Carmen, piqued. "But other men have told
me my eyes are stars."

He looked straight into them, and at the hot pomegranate colour which
blazed up in her olive cheeks, like a reflection of the sunset. And
Carmen looked back at him with her big, splendid eyes.

It was a man's look he gave her, a man's look at a woman; but not a man's
look at the woman he wants.

"No," he answered. "They're not stars. They're more like the sun at noon
in midsummer, when so many flowers are pourin' out perfume you can hardly
keep your senses."

Carmen was no longer hurt. "That's the best compliment I ever had, and
I've had a good many," she laughed. "Besides--coming from you, Nick! I
believe it's the first you ever paid me right out in so many words."

"Was it a compliment?" Nick asked doubtfully and boyishly. "Well, I'm real
glad I was smart enough to bring one off. I spoke out just what came into
my mind, and I'd have felt mighty bad if you'd been cross."

"I'm not cross!" she assured him. "I'd rather be a woman--for you--than an
angel. Angels are cold, far-off, impossible things that men can't grasp.
Besides, their wings would probably moult."

Nick laughed, a pleasant, soft laugh, half under his breath. "Say, I don't
picture angels with wings! The sort that flits into my mind when I'm tired
out after a right hard day and feel kind of lonesome for something
beautiful, I don't know hardly what--only something I've never had--that
sort of angel is a woman, too, and not cold, though far above me, of
course. She has starry eyes and moonlight hair--lots of it, hanging down
in waves that could almost drown her. But I guess, after all--as you
say--that sort's not my line. I'll never come in the light she makes with
her shining, and if I should by accident, she wouldn't go shooting any of
her starry glances my way."

Carmen was vexed again. "I didn't know you were so sentimental, Nick!"


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