There\'s Pippins And Cheese To Come - Charles S. Brooks
Other Books by the Same Author:
"Journeys to Bagdad"
_Sixth printing_.
"Chimney-Pot Papers"
_Third printing_.
"Hints to Pilgrims"
THERE'S PIPPINS
AND
CHEESE TO COME
BY
CHARLES S. BROOKS
1917
Illustrated by Theodore Diedricksen, Jr.
TO MY FATHER AND MOTHER
CONTENTS
I. There's Pippins and Cheese to Come
II. On Buying Old Books
III. Any Stick Will Do to Beat a Dog
IV. Roads of Morning
V. The Man of Grub Street Comes from His Garret
VI. Now that Spring is Here
VII. The Friendly Genii
VIII. Mr. Pepys Sits in the Pit
IX. To an Unknown Reader
X. A Plague of All Cowards
XI. The Asperities of the Early British Reviewers
XII. The Pursuit of Fire
THERE'S PIPPINS AND CHEESE TO COME
There's Pippins and Cheese To Come
In my noonday quest for food, if the day is fine, it is my habit to shun
the nearer places of refreshment. I take the air and stretch myself. Like
Eve's serpent I go upright for a bit. Yet if time presses, there may be had
next door a not unsavory stowage. A drinking bar is nearest to the street
where its polished brasses catch the eye. It holds a gilded mirror to such
red-faced nature as consorts within. Yet you pass the bar and come upon a
range of tables at the rear.
Now, if you yield to the habits of the place you order a rump of meat.
Gravy lies about it like a moat around a castle, and if there is in you the
zest for encounter, you attack it above these murky waters. "This castle
hath a pleasant seat," you cry, and charge upon it with pike advanced. But
if your appetite is one to peck and mince, the whiffs that breathe upon the
place come unwelcome to your nostrils. In no wise are they like the sweet
South upon your senses. There is even a suspicion in you--such is your
distemper--that it is too much a witch's cauldron in the kitchen, "eye of
newt, and toe of frog," and you spy and poke upon your food. Bus boys bear
off the crockery as though they were apprenticed to a juggler and were only
at the beginning of their art. Waiters bawl strange messages to the cook.
It's a tongue unguessed by learning, yet sharp and potent. Also, there
comes a riot from the kitchen, and steam issues from the door as though the
devil himself were a partner and conducted here an upper branch. Like the
man in the old comedy, your belly may still ring dinner, but the tinkle is
faint. Such being your state, you choose a daintier place to eat.
Having now set upon a longer journey--the day being fine and the sidewalks
thronged--you pass by a restaurant that is but a few doors up the street.
A fellow in a white coat flops pancakes in the window. But even though the
pancake does a double somersault and there are twenty curious noses pressed
against the glass, still you keep your course uptown.
Nor are you led off because a near-by stairway beckons you to a Chinese
restaurant up above. A golden dragon swings over the door. Its race has
fallen since its fire-breathing grandsire guarded the fruits of the
Hesperides. Are not "soys" and "chou meins" and other such treasures of the
East laid out above? And yet the dragon dozes at its post like a sleepy
dog. No flame leaps up its gullet. The swish of its tail is stilled. If it
wag at all, it's but in friendship or because a gust of wind has stirred it
from its dreams.
I have wondered why Chinese restaurants are generally on the second story.
A casual inquiry attests it. I know of one, it is true, on the ground
level, yet here I suspect a special economy. The place had formerly been a
German restaurant, with Teuton scrolls, "Ich Dien," and heraldries on its
walls. A frugal brush changed the decoration. From the heart of a Prussian
blazonry, there flares on you in Chinese yellow a recommendation to try
"Our Chicken Chop Soy." The quartering of the House of Hohenzollern wears a
baldric in praise of "Subgum Noodle Warmein," which it seems they cook to
an unusual delicacy. Even a wall painting of Rip Van Winkle bowling at
tenpins in the mountains is now set off with a pigtail. But the chairs were
Dutch and remain as such. Generally, however, Chinese restaurants are on
the second story. Probably there is a ritual from the ancient days of Ming
Ti that Chinamen when they eat shall sit as near as possible to the sacred
moon.
But hold a bit! In your haste up town to find a place to eat, you are
missing some of the finer sights upon the way. In these windows that
you pass, the merchants have set their choicest wares. If there is any
commodity of softer gloss than common, or one shinier to the eye--so
that your poverty frets you--it is displayed here. In the window of the
haberdasher, shirts--mere torsos with not a leg below or head above--yet
disport themselves in gay neckwear. Despite their dismemberment they are
tricked to the latest turn of fashion. Can vanity survive such general
amputation? Then there is hope for immortality.
But by what sad chance have these blithe fellows been disjointed? If
a gloomy mood prevails in you--as might come from a bad turn of the
market--you fancy that the evil daughter of Herodias still lives around the
corner, and that she has set out her victims to the general view. If there
comes a hurdy-gurdy on the street and you cock your ear to the tune of
it, you may still hear the dancing measure of her wicked feet. Or it is
possible that these are the kindred of Holofernes and that they have supped
guiltily in their tents with a sisterhood of Judiths.
Or we may conceive--our thoughts running now to food--that these gamesome
creatures of the haberdasher had dressed themselves for a more recent
banquet. Their black-tailed coats and glossy shirts attest a rare occasion.
It was in holiday mood, when they were fresh-combed and perked in their
best, that they were cut off from life. It would appear that Jack Ketch the
headsman got them when they were rubbed and shining for the feast. We'll
not squint upon his writ. It is enough that they were apprehended for some
rascality. When he came thumping on his dreadful summons, here they were
already set, fopped from shoes to head in the newest whim. Spoon in hand
and bib across their knees--lest they fleck their careful fronts--they
waited for the anchovy to come. And on a sudden they were cut off from
life, unfit, unseasoned for the passage. Like the elder Hamlet's brother,
they were engaged upon an act that had no relish of salvation in it. You
may remember the lamentable child somewhere in Dickens, who because of an
abrupt and distressing accident, had a sandwich in its hand but no mouth
to put it in. Or perhaps you recall the cook of the Nancy Bell and his
grievous end. The poor fellow was stewed in his own stew-pot. It was the
Elderly Naval Man, you recall--the two of them being the ship's sole
survivors on the deserted island, and both of them lean with hunger--it was
the Elderly Naval Man (the villain of the piece) who "ups with his heels,
and smothers his squeals in the scum of the boiling broth."
And yet by looking on these torsos of the haberdasher, one is not brought
to thoughts of sad mortality. Their joy is so exultant. And all the things
that they hold dear--canes, gloves, silk hats, and the newer garments on
which fashion makes its twaddle--are within reach of their armless sleeves.
Had they fingers they would be smoothing themselves before the glass. Their
unbodied heads, wherever they may be, are still smiling on the world,
despite their divorcement. Their tongues are still ready with a jest, their
lips still parted for the anchovy to come.
A few days since, as I was thinking--for so I am pleased to call my muddy
stirrings--what manner of essay I might write and how best to sort and lay
out the rummage, it happened pat to my needs that I received from a friend
a book entitled "The Closet of Sir Kenelm Digby Knight Opened." Now, before
it came I had got so far as to select a title. Indeed, I had written the
title on seven different sheets of paper, each time in the hope that by
the run of the words I might leap upon some further thought. Seven times I
failed and in the end the sheets went into the waste basket, possibly
to the confusion of Annie our cook, who may have mistaken them for a
reiterated admonishment towards the governance of her kitchen--at the
least, a hint of my desires and appetite for cheese and pippins.
"The Closet of Sir Kenelm Digby Opened" is a cook book. It is due you
to know this at once, otherwise your thoughts--if your nature be
vagrant--would drift towards family skeletons. Or maybe the domestic traits
prevail and you would think of dress-clothes hanging in camphorated bags
and a row of winter boots upon a shelf.
I am disqualified to pass upon the merits of a cook book, for the reason
that I have little discrimination in food. It is not that I am totally
indifferent to what lies on the platter. Indeed, I have more than a tribal
aversion to pork in general, while, on the other hand, I quicken joyfully
when noodles are interspersed with bacon. I have a tooth for sweets, too,
although I hold it unmanly and deny it as I can. I am told also--although
I resent it--that my eye lights up on the appearance of a tray of French
pastry. I admit gladly, however, my love of onions, whether they come
hissing from the skillet, or lie in their first tender whiteness. They
are at their best when they are placed on bread and are eaten largely at
midnight after society has done its worst.
A fine dinner is lost within me. A quail is but an inferior chicken--a poor
relation outside the exclusive hennery. Terrapin sits low in my regard,
even though it has wallowed in the most aristocratic marsh. Through such
dinners I hack and saw my way without even gaining a memory of my progress.
If asked the courses, I balk after the recital of the soup. Indeed, I am so
forgetful of food, even when I dine at home, that I can well believe that
Adam when he was questioned about the apple was in real confusion. He had
or he had not. It was mixed with the pomegranate or the quince that Eve had
sliced and cooked on the day before.
A dinner at its best is brought to a single focus. There is one dish
to dominate the cloth, a single bulk to which all other dishes are
subordinate. If there be turkey, it should mount from a central platter.
Its protruding legs out-top the candles. All other foods are, as it were,
privates in Caesar's army. They do no more than flank the pageant. Nor may
the pantry hold too many secrets. Within reason, everything should be
set out at once, or at least a gossip of its coming should run before.
Otherwise, if the stew is savory, how shall one reserve a corner for the
custard? One must partition himself justly--else, by an over-stowage at the
end, he list and sink.
I am partial to picnics--the spreading of the cloth in the woods or beside
a stream--although I am not avid for sandwiches unless hunger press me.
Rather, let there be a skillet in the company and let a fire be started!
Nor need a picnic consume the day. In summer it requires but the late
afternoon, with such borrowing of the night as is necessary for the
journey home. You leave the street car, clanking with your bundles like an
itinerant tinman. You follow a stream, which on these lower stretches, it
is sad to say, is already infected with the vices of the city. Like many a
countryman who has come to town, it has fallen to dissipation. It shows the
marks of the bottle. Further up, its course is cleaner. You cross it in the
mud. Was it not Christian who fell into the bog because of the burden on
his back? Then you climb a villainously long hill and pop out upon an open
platform above the city.
The height commands a prospect to the west. Below is the smoke of a
thousand suppers. Up from the city there comes the hum of life, now
somewhat fallen with the traffic of the day--as though Nature already
practiced the tune for sending her creatures off to sleep. You light a
fire. The baskets disgorge their secrets. Ants and other leviathans think
evidently that a circus has come or that bears are in the town. The chops
and bacon achieve their appointed destiny. You throw the last bone across
your shoulder. It slips and rattles to the river. The sun sets. Night like
an ancient dame puts on her jewels:
And now that I have climbed and won this height,
I must tread downward through the sloping shade
And travel the bewildered tracks till night.
Yet for this hour I still may here be stayed
And see the gold air and the silver fade
And the last bird fly into the last light.
By these confessions you will see how unfit I am to comment on the old cook
book of Sir Kenelm Digby. Yet it lies before me. It may have escaped your
memory in the din of other things, that in the time when Oliver Cromwell
still walked the earth, there lived in England a man by the name of Kenelm
Digby, who was renowned in astrology and alchemy, piracy, wit, philosophy
and fashion. It appears that wherever learning wagged its bulbous head, Sir
Kenelm was of the company. It appears, also, that wherever the mahogany did
most groan, wherever the possets were spiced most delicately to the nose,
there too did Sir Kenelm bib and tuck himself. With profundity, as
though he sucked wisdom from its lowest depth, he spouted forth on the
transmutation of the baser metals or tossed you a phrase from Paracelsus.
Or with long instructive finger he dissertated on the celestial universe.
One would have thought that he had stood by on the making of it and that
his judgment had prevailed in the larger problems. Yet he did not neglect
his trencher.
And now as time went on, the richness of the food did somewhat dominate his
person. The girth of his wisdom grew no less, but his body fattened. In
a word, the good gentleman's palate came to vie with his intellect. Less
often was he engaged upon some dark saying of Isidore of Seville. Rather,
even if his favorite topic astrology were uppermost about the table, his
eye travelled to the pantry on every change of dishes. His fingers, too,
came to curl most delicately on his fork. He used it like an epicure,
poking his viands apart for sharpest scrutiny. His nod upon a compote was
much esteemed.
Now mark his further decline! On an occasion--surely the old rascal's head
is turned!--he would be found in private talk with his hostess, the Lady of
Middlesex, or with the Countess of Monmouth, not as you might expect, on
the properties of fire or on the mortal diseases of man, but--on subjects
quite removed. Society, we may be sure, began to whisper of these snug
parleys in the arbor after dinner, these shadowed mumblings on the balcony
when the moon was up--and Lady Digby stiffened into watchfulness. It was
when they took leave that she saw the Countess slip a note into her lord's
fingers. Her jealousy broke out. "Viper!" She spat the words and seized her
husband's wrist. Of course the note was read. It proved, however, that Sir
Kenelm was innocent of all mischief. To the disappointment of the gossips,
who were tuned to a spicier anticipation, the note was no more than a
recipe of the manner that the Countess was used to mix her syllabub, with
instruction that it was the "rosemary a little bruised and the limon-peal
that did quicken the taste." Advice, also, followed in the postscript on
the making of tea, with counsel that "the boiling water should remain upon
it just so long as one might say a _miserere_." A mutual innocence being
now established, the Lady Digby did by way of apology peck the Countess on
the cheek.
Sir Kenelm died in 1665, full of years. In that day his fame rested chiefly
on his books in physic and chirurgery. His most enduring work was still to
be published--"The Closet Opened."
It was two years after his death that his son came upon a bundle of his
father's papers that had hitherto been overlooked. I fancy that he went
spying in the attic on a rainy day. In the darkest corner, behind the
rocking horse--if such devices were known in those distant days--he came
upon a trunk of his father's papers. "Od's fish," said Sir Kenelm's son,
"here's a box of manuscripts. It is like that they pertain to alchemy or
chirurgery." He pulled out a bundle and held it to the light--such light as
came through the cobwebs of the ancient windows. "Here be strange matters,"
he exclaimed. Then he read aloud: "My Lord of Bristol's Scotch collops are
thus made: Take a leg of fine sweet mutton, that to make it tender, is
kept as long as possible may be without stinking. In winter seven or eight
days"--"Ho! Ho!" cried Sir Kenelm's son. "This is not alchemy!" He drew out
another parchment and read again: "My Lord of Carlile's sack posset, how
it's made: Take a pottle of cream and boil in it a little whole cinnamon
and three or four flakes of mace. Boil it until it simpreth and bubbleth."
By this time, as you may well imagine, Sir Kenelm's son was wrought to an
excitement. It is likely that he inherited his father's palate and that the
juices of his appetite were stirred. Seizing an armful of the papers, he
leaped down the attic steps, three at a time. His lady mother thrust a
curled and papered head from her door and asked whether the chimney were
afire, but he did not heed her. The cook was waddling in her pattens. He
cried to her to throw wood upon the fire.
That night the Digby household was served a delicacy, red herrings broiled
in the fashion of my Lord d'Aubigny, "short and crisp and laid upon a
sallet." Also, there was a wheaten flommery as it was made in the West
Country--for the cook chose quite at random--and a slip-coat cheese as
Master Phillips proportioned it. Also, against the colic, which was
ravishing the country, the cook prepared a metheglin as Lady Stuart mixed
it--"nettles, fennel and grumel seeds, of each two ounces being small-cut
and mixed with honey and boiled together." It is on record that the Lady
Digby smiled for the first time since her lord had died, and when the
grinning cook bore in the platter, she beat upon the table with her spoon.
The following morning, Sir Kenelm's son posted to London bearing the
recipes, with a pistol in the pocket of his great coat against the crossing
of Hounslow Heath. He went to a printer at the Star in Little Britain whose
name was H. Brome.
Shortly the book appeared. It was the son who wrote the preface: "There
needs no Rhetoricating Floscules to set it off. The Authour, as is well
known, having been a Person of Eminency for his Learning, and of Exquisite
Curiosity in his Researches. Even that Incomparable Sir Kenelme Digbie
Knight, Fellow of the Royal Society and Chancellour to the Queen Mother,
(Et omen in Nomine) His name does sufficiently Auspicate the Work." The
sale of the book is not recorded. It is supposed that the Lady Middlesex,
so many of whose recipes had been used, directed that her chair be carried
to the shop where the book was for sale and that she bought largely of it.
The Countess of Dorset bought a copy and spelled it out word for word to
her cook. As for the Lady Monmouth, she bought not a single copy, which
neglect on coming to the Digbys aroused a coolness.
To this day it is likely that a last auspicated volume still sits on its
shelf with the spice jars in some English country kitchen and that a worn
and toothless cook still thumbs its leaves. If the guests about the table
be of an antique mind, still will they pledge one another with its honeyed
drinks, still will they pipe and whistle of its virtues, still will they--
"EAT"--A flaring sign hangs above the sidewalk. By this time, in our
noonday search for food, we have come into the thick of the restaurants. In
the jungle of the city, here is the feeding place. Here come the growling
bipeds for such bones and messes as are thrown them.
The waiter thrusts a card beneath my nose. "Nice leg of lamb, sir?" I waved
him off. "Hold a bit!" I cried. "You'll fetch me a capon in white broth as
my Lady Monmouth broileth hers. Put plentiful sack in it and boil it until
it simpreth!" The waiter scratched his head. "The chicken pie is good," he
said. "It's our Wednesday dish." "Varlet!" I cried--then softened. "Let it
be the chicken pie! But if the cook knoweth the manner that Lord Carlile
does mix and pepper it, let that manner be followed to the smallest
fraction of a pinch!"
On Buying Old Books
By some slim chance, reader, you may be the kind of person who, on a visit
to a strange city, makes for a bookshop. Of course your slight temporal
business may detain you in the earlier hours of the day. You sit with
committees and stroke your profound chin, or you spend your talent in the
market, or run to and fro and wag your tongue in persuasion. Or, if you be
on a holiday, you strain yourself on the sights of the city, against being
caught in an omission. The bolder features of a cathedral must be grasped
to satisfy a quizzing neighbor lest he shame you later on your hearth, a
building must be stuffed inside your memory, or your pilgrim feet must wear
the pavement of an ancient shrine. However, these duties being done and the
afternoon having not yet declined, do you not seek a bookshop to regale
yourself?
Doubtless, we have met. As you have scrunched against the shelf not to
block the passage, but with your head thrown back to see the titles up
above, you have noticed at the corner of your eye--unless it was one of
your blinder moments when you were fixed wholly on the shelf--a man in
a slightly faded overcoat of mixed black and white, a man just past the
nimbleness of youth, whose head is plucked of its full commodity of hair.
It was myself. I admit the portrait, though modesty has curbed me short of
justice.
Doubtless, we have met. It was your umbrella--which you held villainously
beneath your arm--that took me in the ribs when you lighted on a set of
Fuller's Worthies. You recall my sour looks, but it was because I had
myself lingered on the volumes but cooled at the price. How you smoothed
and fingered them! With what triumph you bore them off! I bid you--for I
see you in a slippered state, eased and unbuttoned after dinner--I bid you
turn the pages with a slow thumb, not to miss the slightest tang of their
humor. You will of course go first, because of its broad fame, to the page
on Shakespeare and Ben Jonson and their wet-combats at the Mermaid. But
before the night is too far gone and while yet you can hold yourself from
nodding, you will please read about Captain John Smith of Virginia and his
"strange performances, the scene whereof is laid at such a distance, they
are cheaper credited than confuted."
In no proper sense am I a buyer of old books. I admit a bookish quirk
maybe, a love of the shelf, a weakness for morocco, especially if it is
stained with age. I will, indeed, shirk a wedding for a bookshop. I'll
go in "just to look about a bit, to see what the fellow has," and on an
occasion I pick up a volume. But I am innocent of first editions. It is
a stiff courtesy, as becomes a democrat, that I bestow on this form
of primogeniture. Of course, I have nosed my way with pleasure along
aristocratic shelves and flipped out volumes here and there to ask their
price, but for the greater part, it is the plainer shops that engage me. If
a rack of books is offered cheap before the door, with a fixed price upon a
card, I come at a trot. And if a brown dust lies on them, I bow and sniff
upon the rack, as though the past like an ancient fop in peruke and buckle
were giving me the courtesy of its snuff box. If I take the dust in my
nostrils and chance to sneeze, it is the fit and intended observance toward
the manners of a former century.
I have in mind such a bookshop in Bath, England. It presents to the street
no more than a decent front, but opens up behind like a swollen bottle.
There are twenty rooms at least, piled together with such confusion of
black passages and winding steps, that one might think that the owner
himself must hold a thread when he visits the remoter rooms. Indeed, such
are the obscurities and dim turnings of the place, that, were the legend of
the Minotaur but English, you might fancy that the creature still lived in
this labyrinth, to nip you between his toothless gums--for the beast grows
old--at some darker corner. There is a story of the place, that once a raw
clerk having been sent to rummage in the basement, his candle tipped off
the shelf. He was left in so complete darkness that his fears overcame his
judgment and for two hours he roamed and babbled among the barrels. Nor was
his absence discovered until the end of the day when, as was the custom,
the clerks counted noses at the door. When they found him, he bolted up the
steps, nor did he cease his whimper until he had reached the comforting
twilight of the outer world. He served thereafter in the shop a full two
years and had a beard coming--so the story runs--before he would again
venture beyond the third turning of the passage; to the stunting of his
scholarship, for the deeper books lay in the farther windings.