A Romance of the Republic - Lydia Maria Francis Child
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"How do you know that, _sistita mia_?" rejoined the lively little
chatterer. "Only think, we have never been to a ball! And when we get
to France, Papasito will go everywhere with us. He says he will."
"I should like to hear operas and see ballets in Paris," said
Rosabella; "but I wish we could come back _here_ before long."
Floracita's laughing eyes assumed the arch expression which rendered
them peculiarly bewitching, and she began to sing,--
"Petit blanc, mon bon frere!
Ha! ha! petit blanc si doux!
Il n'y a rien sur la terre
De si joli que vous.
"Un petit blanc que j'aime--"
A quick flush mantled her sister's face, and she put her hand over the
mischievous mouth, exclaiming, "Don't, Flora! don't!"
The roguish little creature went laughing and capering out of the
room, and her voice was still heard singing,--
"Un petit blanc que j'aime."
The arrival of Signor Papanti soon summoned her to rehearse a music
lesson. She glanced roguishly at her sister when she began; and as she
went on, Rosa could not help smiling at her musical antics. The old
teacher bore it patiently for a while, then he stopped trying to
accompany her, and, shaking his finger at her, said, "_Diavolessa_!"
"Did I make a false note?" asked she, demurely.
"No, you little witch, you _can't_ make a false note. But how do you
suppose I can keep hold of the tail of the Air, if you send me chasing
after it through so many capricious variations? Now begin again, _da
capo_"
The lesson was recommenced, but soon ran riot again. The Signor became
red in the face, shut the music-book with a slam, and poured forth a
volley of wrath in Italian, When she saw that he was really angry, she
apologized, and promised to do better. The third time of trying, she
acquitted herself so well that her teacher praised her; and when
she bade him good morning, with a comic little courtesy, he smiled
good-naturedly, as he said, "_Ah, Malizietta_!"
"I knew I should make Signor Pimentero sprinkle some pepper,"
exclaimed she, laughing, as she saw him walk away.
"You are too fond of sobriquets," said Rosa. "If you are not careful,
you will call him Signor Pimentero to his face, some day."
"What did you tell me _that_ for?" asked the little rogue. "It will
just make me do it. Now I am going to pester Madame's parrot."
She caught up her large straw hat, with flying ribbons, and ran to the
house of their next neighbor, Madame Guirlande. She was a French lady,
who had given the girls lessons in embroidery, the manufacture of
artificial flowers, and other fancy-work. Before long, Floracita
returned through the garden, skipping over a jumping-rope. "This is
a day of compliments," said she, as she entered the parlor, "Signor
Pimentero called me _Diavolessa_; Madame Guirlande called me _Joli
petit diable_; and the parrot took it up, and screamed it after me, as
I came away."
"I don't wonder at it," replied Rosa. "I think I never saw even you so
full of mischief."
Her frolicsome mood remained through the day. One moment she assumed
the dignified manner of Rosabella, and, stretching herself to the
utmost, she stood very erect, giving sage advice. The next, she was
impersonating a negro preacher, one of Tulipa's friends. Hearing a
mocking-bird in the garden, she went to the window and taxed his
powers to the utmost, by running up and down difficult _roulades_,
interspersed with the talk of parrots, the shrill fanfare of trumpets,
and the deep growl of a contra-fagotto. The bird produced a grotesque
fantasia in his efforts to imitate her. The peacock, as he strutted up
and down the piazza, trailing his gorgeous plumage in the sunshine,
ever and anon turned his glossy neck, and held up his ear to listen,
occasionally performing his part in the _charivari_ by uttering a
harsh scream. The mirthfulness of the little madcap was contagious,
and not unfrequently the giggle of Tulipa and the low musical laugh of
Rosabella mingled with the concert.
Thus the day passed merrily away, till the gilded Flora that leaned
against the timepiece pointed her wand toward the hour when their
father was accustomed to return.
CHAPTER IV.
Floracita was still in the full career of fun, when footsteps were
heard approaching; and, as usual, she bounded forth to welcome her
father. Several men, bearing a palanquin on their shoulders, were
slowly ascending the piazza. She gave one glance at their burden, and
uttered a shrill scream. Rosabella hastened to her in great alarm.
Tulipa followed, and quickly comprehending that something terrible had
happened, she hurried away to summon Madame Guirlande. Rosabella, pale
and trembling, gasped out, "What has happened to my father?"
Franz Blumenthal, a favorite clerk of Mr. Royal's, replied, in a low,
sympathizing tone, "He was writing letters in the counting-room this
afternoon, and when I went in to speak to him, I found him on the
floor senseless. We called a doctor immediately, but he failed to
restore him."
"O, call another doctor!" said Rosa, imploringly; and Floracita almost
shrieked, "Tell me where to _go_ for a doctor."
"We have already summoned one on the way," said young Blumenthal, "but
I will go to hasten him";--and, half blinded by his tears, he hurried
into the street.
The doctor came in two minutes, and yet it seemed an age. Meanwhile
the wretched girls were chafing their father's cold hands, and holding
sal-volatile to his nose, while Madame Guirlande and Tulipa were
preparing hot water and hot cloths. When the physician arrived, they
watched his countenance anxiously, while he felt the pulse and laid
his hand upon the heart. After a while he shook his head and said,
"Nothing can be done. He is dead."
Rosabella fell forward, fainting, on the body. Floracita uttered
shriek upon shriek, while Madame Guirlande and Tulipa vainly tried to
pacify her. The doctor at last persuaded her to swallow some valerian,
and Tulipa carried her in her arms and laid her on the bed. Madame
Guirlande led Rosa away, and the two sisters lay beside each other, on
the same pillows where they had dreamed such happy dreams the night
before. Floracita, stunned by the blow that had fallen on her so
suddenly, and rendered drowsy by the anodyne she had taken, soon fell
into an uneasy slumber, broken by occasional starts and stifled sobs.
Rosabella wept silently, but now and then a shudder passed over her,
that showed how hard she was struggling with grief. After a short
time, Flora woke up bewildered. A lamp was burning in the farther part
of the room, and Madame Guirlande, who sat there in spectacles and
ruffled cap, made a grotesque black shadow on the wall. Floracita
started up, screaming, "What is that?" Madame Guirlande went to her,
and she and Rosa spoke soothingly, and soon she remembered all.
"O, let me go home with _you_" she said to Madame "I am afraid to stay
here."
"Yes, my children," replied the good Frenchwoman. "You had better both
go home and stay with me to-night."
"I cannot go away and leave _him_ alone," murmured Rosa, in tones
almost inaudible.
"Franz Blumenthal is going to remain here," replied Madame Guirlande,"
and Tulipa has offered to sit up all night. It is much better for you
to go with me than to stay here, my children."
Thus exhorted, they rose and began to make preparations for departure.
But all at once the tender good-night of the preceding evening rushed
on Rosa's memory, and she sank down in a paroxysm of grief. After
weeping bitterly for some minutes, she sobbed out, "O, this is worse
than it was when Mamita died. Papasito was so tender with us then; and
now we are _all_ alone."
"Not all alone," responded Madame. "Jesus and the Blessed Virgin are
with you."
"O, I don't know where _they_ are!" exclaimed Flora, in tones of wild
agony. "I want my Papasito! I want to die and go to my Papasito."
Rosabella folded her in her arms, and they mingled their tears
together, as she whispered: "Let us try to be tranquil, Sistita. We
must not be troublesome to our kind friend. I did wrong to say we were
all alone. We have always a Father in heaven, and he still spares us
to love each other. Perhaps, too, our dear Papasito is watching over
us. You know he used to tell us Mamita had become our guardian angel."
Floracita kissed her, and pressed her hand in silence. Then they made
preparations to go with their friendly neighbor; all stepping very
softly, as if afraid of waking the beloved sleeper.
The sisters had lived in such extreme seclusion, that when sorrow came
upon them, like the sudden swoop and swift destruction of a tropical
storm, they had no earthly friend to rely upon but Madame Guirlande.
Only the day before, they had been so rich in love, that, had she
passed away from the earth, it would have made no distressing change
in their existence. They would have said, "Poor Madame Guirlande! She
was a good soul. How patient she used to be with us!" and after a day
or two, they would have danced and sung the same as ever. But one day
had so beggared them in affection, that they leaned upon her as their
only earthly support.
After an almost untasted breakfast, they all went back to the
desolated home. The flowery parlor seemed awfully lonesome. The piano
was closed, the curtains drawn, and their father's chair was placed
against the wall. The murmur of the fountain sounded as solemn as a
dirge, and memories filled the room like a troop of ghosts. Hand in
hand, the bereaved ones went to kiss the lips that would speak to them
no more in this world. They knelt long beside the bed, and poured
forth their breaking hearts in prayer. They rose up soothed and
strengthened, with the feeling that their dear father and mother were
still near them. They found a sad consolation in weaving garlands and
flowery crosses, which they laid on the coffin with tender reverence.
When the day of the funeral came, Madame Guirlande kept them very near
her, holding a hand of each. She had provided them with long veils,
which she requested them not to remove; for she remembered how
anxiously their father had screened their beauty from the public gaze.
A number of merchants, who had known and respected Mr. Royal, followed
his remains to the grave. Most of them had heard of his quadroon
connection, and some supposed that the veiled mourners might be his
daughters; but such things were too common to excite remark, or to
awaken much interest. The girls passed almost unnoticed; having, out
of respect to the wishes of their friend, stifled their sobs till they
were alone in the carriage with her and their old music-teacher.
The conviction that he was not destined to long life, which Mr. Royal
had expressed to Alfred King, was founded on the opinion of physicians
that his heart was diseased. This furnished an additional motive for
closing his business as soon as possible, and taking his children to
France. But the failure of several houses with which he was connected
brought unexpected entanglements. Month by month, these became more
complicated, and necessarily delayed the intended emigration. His
anxiety concerning his daughters increased to an oppressive degree,
and aggravated the symptoms of his disease. With his habitual desire
to screen them from everything unpleasant, he unwisely concealed from
them both his illness and his pecuniary difficulties. He knew he could
no longer be a rich man; but he still had hope of saving enough of his
fortune to live in a moderate way in some cheap district of France.
But on the day when he bade his daughters good morning so cheerfully,
he received a letter informing him of another extensive failure, which
involved him deeply. He was alone in his counting-room when he read
it; and there Franz Blumenthal found him dead, with the letter in his
hand. His sudden exit of course aroused the vigilance of creditors,
and their examination into the state of his affairs proved anything
but satisfactory.
The sisters, unconscious of all this, were undisturbed by any anxiety
concerning future support. The necessity of living without their
father's love and counsel weighed heavily on their spirits; but
concerning his money they took no thought. Hitherto they had lived
as the birds do, and it did not occur to them that it could ever be
otherwise. The garden and the flowery parlor, which their mother had
created and their father had so dearly loved, seemed almost as much a
portion of themselves as their own persons. It had been hard to think
of leaving them, even for the attractions of Paris; and now _that_
dream was over, it seemed a necessity of their existence to live on in
the atmosphere of beauty to which they had always been accustomed. But
now that the sunshine of love had vanished from it, they felt lonely
and unprotected there. They invited Madame Guirlande to come and live
with them on what terms she chose; and when she said there ought to be
some elderly man in the house, they at once suggested inviting their
music-teacher. Madame, aware of the confidence Mr. Royal had always
placed in him, thought it was the best arrangement that could be made,
at least for the present. While preparations were being made to effect
this change, her proceedings were suddenly arrested by tidings that
the house and furniture were to be sold at auction, to satisfy the
demands of creditors. She kept back the unwelcome news from the girls,
while she held long consultations with Signor Papanti. He declared
his opinion that Rosabella could make a fortune by her voice, and
Floracita by dancing.
"But then they are so young," urged Madame,--"one only sixteen, the
other only fourteen."
"Youth is a disadvantage one soon outgrows," replied the Signor. "They
can't make fortunes immediately, of course; but they can earn a living
by giving lessons. I will try to open a way for them, and the sooner
you prepare them for it the better."
Madame dreaded the task of disclosing their poverty, but she found it
less painful than she had feared. They had no realizing sense of what
it meant, and rather thought that giving lessons would be a pleasant
mode of making time pass less heavily. Madame, who fully understood
the condition of things, kept a watchful lookout for their interests.
Before an inventory was taken, she gathered up and hid away many
trifling articles which would be useful to them, though of little or
no value to the creditors. Portfolios of music, patterns for drawings,
boxes of paint and crayons, baskets of chenille for embroidery, and a
variety of other things, were safely packed away out of sight, without
the girls' taking any notice of her proceedings.
During her father's lifetime, Floracita was so continually whirling
round in fragmentary dances, that he often told her she rested on her
feet less than a humming-bird. But after he was gone, she remained
very still from morning till night. When Madame spoke to her of
the necessity of giving dancing-lessons, it suggested the idea of
practising. But she felt that she could not dance where she had been
accustomed to dance before _him_; and she had not the heart to ask
Rosa to play for her. She thought she would try, in the solitude of
her chamber, how it would seem to give dancing-lessons. But without
music, and without a spectator, it seemed so like the ghost of dancing
that after a few steps the poor child threw herself on the bed and
sobbed.
Rosa did not open the piano for several days after the funeral; but
one morning, feeling as if it would be a relief to pour forth the
sadness that oppressed her, she began to play languidly. Only requiems
and prayers came. Half afraid of summoning an invisible spirit, she
softly touched the keys to "The Light of other Days." But remembering
it was the very last tune she ever played to her father, she leaned
her head forward on the instrument, and wept bitterly.
While she sat thus the door-bell rang, and she soon became conscious
of steps approaching the parlor. Her heart gave a sudden leap; for her
first thought was of Gerald Fitzgerald. She raised her head, wiped
away her tears, and rose to receive the visitor. Three strangers
entered. She bowed to them, and they, with a little look of surprise,
bowed to her. "What do you wish for, gentlemen?" she asked.
"We are here concerning the settlement of Mr. Royal's estate," replied
one of them. "We have been appointed to take an inventory of the
furniture."
While he spoke, one of his companions was inspecting the piano, to see
who was the maker, and another was examining the timepiece.
It was too painful; and Rosa, without trusting herself to speak
another word, walked quietly out of the room, the gathering moisture
in her eyes making it difficult for her to guide her steps.
"Is that one of the daughters we have heard spoken of?" inquired one
of the gentlemen.
"I judge so," rejoined his companion. "What a royal beauty she is!
Good for three thousand, I should say."
"More likely five thousand," added the third. "Such a fancy article as
that don't appear in the market once in fifty years."
"Look here!" said the first speaker. "Do you see that pretty little
creature crossing the garden? I reckon that's the other daughter."
"They'll bring high prices," continued the third speaker. "They're
the best property Royal has left. We may count them eight or ten
thousand, at least. Some of our rich fanciers would jump at the chance
of obtaining _one_ of them for that price." As he spoke, he looked
significantly at the first speaker, who refrained from expressing any
opinion concerning their pecuniary value.
All unconscious of the remarks she had elicited, Rosa retired to her
chamber, where she sat at the window plunged in mournful revery.
She was thinking of various articles her mother had painted and
embroidered, and how her father had said he could not bear the thought
of their being handled by strangers. Presently Floracita came running
in, saying, in a flurried way, "Who are those men down stairs, Rosa?"
"I don't know who they are," replied her sister. "They said they came
to take an inventory of the furniture. I don't know what right they
have to do it. I wish Madame would come."
"I will run and call her," said Floracita.
"No, you had better stay with me," replied Rosa. "I was just going to
look for you when you came in."
"I ran into the parlor first, thinking you were there," rejoined
Floracita. "I saw one of those men turning over Mamita's embroidered
ottoman, and chalking something on it. How dear papa would have felt
if he had seen it! One of them looked at me in such a strange way! I
don't know what he meant; but it made me want to run away in a minute.
Hark! I do believe they have come up stairs, and are in papa's room.
They won't come here, will they?"
"Bolt the door!" exclaimed Rosa; and it was quickly done. They sat
folded in each other's arms, very much afraid, though they knew not
wherefore.
"Ah!" said Rosa, with a sigh of relief, "there is Madame coming." She
leaned out of the window, and beckoned to her impatiently.
Her friend hastened her steps; and when she heard of the strangers who
were in the house, she said, "You had better go home with me, and stay
there till they are gone."
"What are they going to do?" inquired Floracita.
"I will tell you presently," replied Madame, as she led them
noiselessly out of the house by a back way.
When they entered her own little parlor, the parrot called out, "_Joli
petit diable_!" and after waiting for the old familiar response, "_Bon
jour, jolie Manon_!" she began to call herself "_Jolie Manon_!" and to
sing, "_Ha! ha! petit blanc, mon bon frere_!" The poor girls had no
heart for play; and Madame considerately silenced the noisy bird by
hanging a cloth over the cage.
"My dear children," said she, "I would gladly avoid telling you
anything calculated to make you more unhappy. But you _must_ know the
state of things sooner or later, and it is better that a friend should
tell you. Your father owed money to those men, and they are seeing
what they can find to sell in order to get their pay."
"Will they sell the table and boxes Mamita painted, and the ottomans
she embroidered?" inquired Rosa, anxiously.
"Will they sell the piano that papa gave to Rosa for a birthday
present?" asked Flora.
"I am afraid they will," rejoined Madame.
The girls covered their faces and groaned.
"Don't be so distressed, my poor children," said their sympathizing
friend. "I have been trying to save a little something for you. See
here!" And she brought forth some of the hidden portfolios and boxes,
saying, "These will be of great use to you, my darlings, in helping
you to earn your living, and they would bring almost nothing at
auction."
They thanked their careful friend for her foresight. But when she
brought forward their mother's gold watch and diamond ring, Rosa said,
"I would rather not keep such expensive things, dear friend. You know
our dear father was the soul of honor. It would have troubled him
greatly not to pay what he owed. I would rather have the ring and the
watch sold to pay his debts."
"I will tell the creditors what you say," answered Madame, "and they
will be brutes if they don't let you keep your mother's things. Your
father owed Signor Papanti a little bill, and he says he will try to
get the table and boxes, and some other things, in payment, and then
you shall have them all. You will earn enough to buy another piano by
and by, and you can use mine, you know; so don't be discouraged, my
poor children."
"God has been very good to us to raise us up such friends as you and
the Signor," replied Rosa. "You don't know how it comforts me to have
you call us your children, for without you we should be all alone in
the world."
CHAPTER V.
Such sudden reverses, such overwhelming sorrows, mature characters
with wonderful rapidity. Rosa, though formed by nature and habit to
cling to others, soon began to form plans for future support. Her
inexperienced mind foresaw few of the difficulties involved in the
career her friends had suggested. She merely expected to study and
work hard; but that seemed a trifle, if she could avoid for herself
and her sister the publicity which their father had so much dreaded.
Floracita, too, seemed like a tamed bird. She was sprightly as ever in
her motions, and quick in her gestures; but she would sit patiently at
her task of embroidery, hour after hour, without even looking up to
answer the noisy challenges of the parrot. Sometimes the sisters,
while they worked, sang together the hymns they had been accustomed
to sing with their father on Sundays; and memory of the missing voice
imparted to their tones a pathos that no mere skill could imitate.
One day, when they were thus occupied, the door-bell rang, and they
heard a voice, which they thought they recognized, talking with
Madame. It was Franz Blumenthal. "I have come to bring some small
articles for the young ladies," said he. "A week before my best
friend died, a Frenchwoman came to the store, and wished to sell some
fancy-baskets. She said she was a poor widow; and Mr. Royal, who
was always kind and generous, commissioned her to make two of her
handsomest baskets, and embroider the names of his daughters on them.
She has placed them in my hands to-day, and I have brought them myself
in order to explain the circumstances."
"Are they paid for?" inquired Madame.
"I have paid for them," replied the young man, blushing deeply; "but
please not to inform the young ladies of that circumstance. And,
Madame, I have a favor to ask of you. Here are fifty dollars. I want
you to use them for the young ladies without their knowledge; and I
should like to remit to you half my wages every month for the same
purpose. When Mr. Royal was closing business, he wrote several letters
of recommendation for me, and addressed them to well-established
merchants. I feel quite sure of getting a situation where I can earn
more than I need for myself."
"_Bon garcon_!" exclaimed Madame, patting him on the shoulder. "I will
borrow the fifty dollars; but I trust we shall be able to pay you
before many months."
"It will wound my feelings if you ever offer to repay me," replied the
young man. "My only regret is, that I cannot just now do any more for
the daughters of my best friend and benefactor, who did so much for me
when I was a poor, destitute boy. But would it be asking too great a
favor, Madame, to be allowed to see the young ladies, and place in
their hands these presents from their father?"
Madame Guirlande smiled as she thought to herself, "What is he but a
boy now? He grows tall though."
When she told her _protegees_ that Franz Blumenthal had a message
he wished to deliver to them personally, Rosa said, "Please go and
receive it, Sistita. I had rather not leave my work."
Floracita glanced at the mirror, smoothed her hair a little, arranged
her collar, and went out. The young clerk was awaiting her appearance
with a good deal of trepidation. He had planned a very nice little
speech to make; but before he had stammered out all the story about
the baskets, he saw an expression in Flora's face which made him feel
that it was indelicate to intrude upon her emotion; and he hurried
away, scarcely hearing her choked voice as she said, "I thank you."