The Poetical Works of Oliver Wendell Holmes, Complete - Oliver Wendell Holmes, Sr.
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AT THE "ATLANTIC" DINNER
DECEMBER 15, 1874
I SUPPOSE it's myself that you're making allusion to
And bringing the sense of dismay and confusion to.
Of course some must speak,--they are always selected to,
But pray what's the reason that I am expected to?
I'm not fond of wasting my breath as those fellows do;
That want to be blowing forever as bellows do;
Their legs are uneasy, but why will you jog any
That long to stay quiet beneath the mahogany?
Why, why call me up with your battery of flatteries?
You say "He writes poetry,"--that 's what the matter is
"It costs him no trouble--a pen full of ink or two
And the poem is done in the time of a wink or two;
As for thoughts--never mind--take the ones that lie uppermost,
And the rhymes used by Milton and Byron and Tupper most;
The lines come so easy! at one end he jingles 'em,
At the other with capital letters he shingles 'em,--
Why, the thing writes itself, and before he's half done with it
He hates to stop writing, he has such good fun with it!"
Ah, that is the way in which simple ones go about
And draw a fine picture of things they don't know about!
We all know a kitten, but come to a catamount
The beast is a stranger when grown up to that amount,
(A stranger we rather prefer should n't visit us,
A _felis_ whose advent is far from felicitous.)
The boy who can boast that his trap has just got a mouse
Must n't draw it and write underneath "hippopotamus";
Or say unveraciously, "This is an elephant,"--
Don't think, let me beg, these examples irrelevant,--
What they mean is just this--that a thing to be painted well
Should always be something with which we're acquainted well.
You call on your victim for "things he has plenty of,--
Those copies of verses no doubt at least twenty of;
His desk is crammed full, for he always keeps writing 'em
And reading to friends as his way of delighting 'em!"
I tell you this writing of verses means business,--
It makes the brain whirl in a vortex of dizziness
You think they are scrawled in the languor of laziness--
I tell you they're squeezed by a spasm of craziness,
A fit half as bad as the staggering vertigos
That seize a poor fellow and down in the dirt he goes!
And therefore it chimes with the word's etytology
That the sons of Apollo are great on apology,
For the writing of verse is a struggle mysterious
And the gayest of rhymes is a matter that's serious.
For myself, I'm relied on by friends in extremities,
And I don't mind so much if a comfort to them it is;
'T is a pleasure to please, and the straw that can tickle us
Is a source of enjoyment though slightly ridiculous.
I am up for a--something--and since I 've begun with it,
I must give you a toast now before I have done with it.
Let me pump at my wits as they pumped the Cochituate
That moistened--it may be--the very last bit you ate:
Success to our publishers, authors and editors
To our debtors good luck,--pleasant dreams to our creditors;
May the monthly grow yearly, till all we are groping for
Has reached the fulfilment we're all of us hoping for;
Till the bore through the tunnel--it makes me let off a sigh
To think it may possibly ruin my prophecy--
Has been punned on so often 't will never provoke again
One mild adolescent to make the old joke again;
Till abstinent, all-go-to-meeting society
Has forgotten the sense of the word inebriety;
Till the work that poor Hannah and Bridget and Phillis do
The humanized, civilized female gorillas do;
Till the roughs, as we call them, grown loving and dutiful,
Shall worship the true and the pure and the beautiful,
And, preying no longer as tiger and vulture do,
All read the "Atlantic" as persons of culture do!
"LUCY"
FOR HER GOLDEN WEDDING, OCTOBER 18, 1875
"Lucy."--The old familiar name
Is now, as always, pleasant,
Its liquid melody the same
Alike in past or present;
Let others call you what they will,
I know you'll let me use it;
To me your name is Lucy still,
I cannot bear to lose it.
What visions of the past return
With Lucy's image blended!
What memories from the silent urn
Of gentle lives long ended!
What dreams of childhood's fleeting morn,
What starry aspirations,
That filled the misty days unborn
With fancy's coruscations!
Ah, Lucy, life has swiftly sped
From April to November;
The summer blossoms all are shed
That you and I remember;
But while the vanished years we share
With mingling recollections,
How all their shadowy features wear
The hue of old affections!
Love called you. He who stole your heart
Of sunshine half bereft us;
Our household's garland fell apart
The morning that you left us;
The tears of tender girlhood streamed
Through sorrow's opening sluices;
Less sweet our garden's roses seemed,
Less blue its flower-de-luces.
That old regret is turned to smiles,
That parting sigh to greeting;
I send my heart-throb fifty miles
Through every line 't is beating;
God grant you many and happy years,
Till when the last has crowned you
The dawn of endless day appears,
And heaven is shining round you!
October 11, 1875.
HYMN
FOR THE INAUGURATION OF THE STATUE OF GOVERNOR
ANDREW, HINGHAM, OCTOBER 7, 1875
BEHOLD the shape our eyes have known!
It lives once more in changeless stone;
So looked in mortal face and form
Our guide through peril's deadly storm.
But hushed the beating heart we knew,
That heart so tender, brave, and true,
Firm as the rooted mountain rock,
Pure as the quarry's whitest block!
Not his beneath the blood-red star
To win the soldier's envied sear;
Unarmed he battled for the right,
In Duty's never-ending fight.
Unconquered will, unslumbering eye,
Faith such as bids the martyr die,
The prophet's glance, the master's hand
To mould the work his foresight planned,
These were his gifts; what Heaven had lent
For justice, mercy, truth, he spent,
First to avenge the traitorous blow,
And first to lift the vanquished foe.
Lo, thus he stood; in danger's strait
The pilot of the Pilgrim State!
Too large his fame for her alone,--
A nation claims him as her own!
A MEMORIAL TRIBUTE
READ AT THE MEETING HELD AT MUSIC HALL,
FEBRUARY 8, 1876, IN MEMORY OF DR. SAMUEL G. HOWE
I.
LEADER of armies, Israel's God,
Thy soldier's fight is won!
Master, whose lowly path he trod,
Thy servant's work is done!
No voice is heard from Sinai's steep
Our wandering feet to guide;
From Horeb's rock no waters leap;
No Jordan's waves divide;
No prophet cleaves our western sky
On wheels of whirling fire;
No shepherds hear the song on high
Of heaven's angelic choir.
Yet here as to the patriarch's tent
God's angel comes a guest;
He comes on heaven's high errand sent,
In earth's poor raiment drest.
We see no halo round his brow
Till love its own recalls,
And, like a leaf that quits the bough,
The mortal vesture falls.
In autumn's chill declining day,
Ere winter's killing frost,
The message came; so passed away
The friend our earth has lost.
Still, Father, in thy love we trust;
Forgive us if we mourn
The saddening hour that laid in dust
His robe of flesh outworn.
II.
How long the wreck-strewn journey seems
To reach the far-off past
That woke his youth from peaceful dreams
With Freedom's trumpet-blast.
Along her classic hillsides rung
The Paynim's battle-cry,
And like a red-cross knight he sprung
For her to live or die.
No trustier service claimed the wreath
For Sparta's bravest son;
No truer soldier sleeps beneath
The mound of Marathon;
Yet not for him the warrior's grave
In front of angry foes;
To lift, to shield, to help, to save,
The holier task he chose.
He touched the eyelids of the blind,
And lo! the veil withdrawn,
As o'er the midnight of the mind
He led the light of dawn.
He asked not whence the fountains roll
No traveller's foot has found,
But mapped the desert of the soul
Untracked by sight or sound.
What prayers have reached the sapphire throne,
By silent fingers spelt,
For him who first through depths unknown
His doubtful pathway felt,
Who sought the slumbering sense that lay
Close shut with bolt and bar,
And showed awakening thought the ray
Of reason's morning star.
Where'er he moved, his shadowy form
The sightless orbs would seek,
And smiles of welcome light and warm
The lips that could not speak.
No labored line, no sculptor's art,
Such hallowed memory needs;
His tablet is the human heart,
His record loving deeds.
III.
The rest that earth denied is thine,--
Ah, is it rest? we ask,
Or, traced by knowledge more divine,
Some larger, nobler task?
Had but those boundless fields of blue
One darkened sphere like this;
But what has heaven for thee to do
In realms of perfect bliss?
No cloud to lift, no mind to clear,
No rugged path to smooth,
No struggling soul to help and cheer,
No mortal grief to soothe!
Enough; is there a world of love,
No more we ask to know;
The hand will guide thy ways above
That shaped thy task below.
JOSEPH WARREN, M. D.
TRAINED in the holy art whose lifted shield
Wards off the darts a never-slumbering foe,
By hearth and wayside lurking, waits to throw,
Oppression taught his helpful arm to wield
The slayer's weapon: on the murderous field
The fiery bolt he challenged laid him low,
Seeking its noblest victim. Even so
The charter of a nation must be sealed!
The healer's brow the hero's honors crowned,
From lowliest duty called to loftiest deed.
Living, the oak-leaf wreath his temples bound;
Dying, the conqueror's laurel was his meed,
Last on the broken ramparts' turf to bleed
Where Freedom's victory in defeat was found.
June 11, 1875.
OLD CAMBRIDGE
JULY 3, 1875
AND can it be you've found a place
Within this consecrated space,
That makes so fine a show,
For one of Rip Van Winkle's race?
And is it really so?
Who wants an old receipted bill?
Who fishes in the Frog-pond still?
Who digs last year's potato hill?--
That's what he'd like to know!
And were it any spot on earth
Save this dear home that gave him birth
Some scores of years ago,
He had not come to spoil your mirth
And chill your festive glow;
But round his baby-nest he strays,
With tearful eye the scene surveys,
His heart unchanged by changing days,
That's what he'd have you know.
Can you whose eyes not yet are dim
Live o'er the buried past with him,
And see the roses blow
When white-haired men were Joe and Jim
Untouched by winter's snow?
Or roll the years back one by one
As Judah's monarch backed the sun,
And see the century just begun?--
That's what he'd like to know!
I come, but as the swallow dips,
Just touching with her feather-tips
The shining wave below,
To sit with pleasure-murmuring lips
And listen to the flow
Of Elmwood's sparkling Hippocrene,
To tread once more my native green,
To sigh unheard, to smile unseen,--
That's what I'd have you know.
But since the common lot I've shared
(We all are sitting "unprepared,"
Like culprits in a row,
Whose heads are down, whose necks are bared
To wait the headsman's blow),
I'd like to shift my task to you,
By asking just a thing or two
About the good old times I knew,--
Here's what I want to know.
The yellow meetin' house--can you tell
Just where it stood before it fell
Prey of the vandal foe,--
Our dear old temple, loved so well,
By ruthless hands laid low?
Where, tell me, was the Deacon's pew?
Whose hair was braided in a queue?
(For there were pig-tails not a few,)--
That's what I'd like to know.
The bell--can you recall its clang?
And how the seats would slam and bang?
The voices high and low?
The basso's trump before he sang?
The viol and its bow?
Where was it old Judge Winthrop sat?
Who wore the last three-cornered hat?
Was Israel Porter lean or fat?--
That's what I'd like to know.
Tell where the market used to be
That stood beside the murdered tree?
Whose dog to church would go?
Old Marcus Reemie, who was he?
Who were the brothers Snow?
Does not your memory slightly fail
About that great September gale?--
Whereof one told a moving tale,
As Cambridge boys should know.
When Cambridge was a simple town,
Say just when Deacon William Brown
(Last door in yonder row),
For honest silver counted down,
His groceries would bestow?--
For those were days when money meant
Something that jingled as you went,--
No hybrid like the nickel cent,
I'd have you all to know,
But quarter, ninepence, pistareen,
And fourpence hapennies in between,
All metal fit to show,
Instead of rags in stagnant green,
The scum of debts we owe;
How sad to think such stuff should be
Our Wendell's cure-all recipe,--
Not Wendell H., but Wendell P.,--
The one you all must know!
I question--but you answer not--
Dear me! and have I quite forgot
How fivescore years ago,
Just on this very blessed spot,
The summer leaves below,
Before his homespun ranks arrayed
In green New England's elmbough shade
The great Virginian drew the blade
King George full soon should know!
O George the Third! you found it true
Our George was more than double you,
For nature made him so.
Not much an empire's crown can do
If brains are scant and slow,--
Ah, not like that his laurel crown
Whose presence gilded with renown
Our brave old Academic town,
As all her children know!
So here we meet with loud acclaim
To tell mankind that here he came,
With hearts that throb and glow;
Ours is a portion of his fame
Our trumpets needs must blow!
On yonder hill the Lion fell,
But here was chipped the eagle's shell,--
That little hatchet did it well,
As all the world shall know!
WELCOME TO THE NATIONS
PHILADELPHIA, JULY 4, 1876
BRIGHT on the banners of lily and rose
Lo! the last sun of our century sets!
Wreathe the black cannon that scowled on our foes,
All but her friendships the nation forgets
All but her friends and their welcome forgets!
These are around her; but where are her foes?
Lo, while the sun of her century sets,
Peace with her garlands of lily and rose!
Welcome! a shout like the war trumpet's swell
Wakes the wild echoes that slumber around
Welcome! it quivers from Liberty's bell;
Welcome! the walls of her temple resound!
Hark! the gray walls of her temple resound
Fade the far voices o'er hillside and dell;
Welcome! still whisper the echoes around;
Welcome I still trembles on Liberty's bell!
Thrones of the continents! isles of the sea
Yours are the garlands of peace we entwine;
Welcome, once more, to the land of the free,
Shadowed alike by the pahn and the pine;
Softly they murmur, the palm and the pine,
"Hushed is our strife, in the land of the free";
Over your children their branches entwine,
Thrones of the continents! isles of the sea!
A FAMILIAR LETTER
TO SEVERAL CORRESPONDENTS
YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.
Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!
You can wander at will through its syllabled mazes,
And take all you want,--not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?
Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.
There are words so delicious their sweetness will smother
That boarding-school flavor of which we 're afraid,--
There is "lush" is a good one, and "swirl" another,--
Put both in one stanza, its fortune is made.
With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell;
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"
Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.
As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.
Let me show you a picture--'tis far from irrelevant--
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,--
The name of the draughtsman was Rembrandt of Rhine.
How easy! no troublesome colors to lay on,
It can't have fatigued him,--no, not in the least,--
A dash here and there with a hap-hazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.
Just so with your verse,--'t is as easy as sketching,--
You--can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.
Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;
Each morning the post brings you autograph letters;
You'll answer them promptly,--an hour is n't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.
Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poor-house, or pound.
With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.
At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That Is him!"
But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.
No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.
So perhaps, after all, it's as well to be quiet,
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.
But it's all of no use, and I 'm sorry I've written,--
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.
UNSATISFIED
"ONLY a housemaid!" She looked from the kitchen,--
Neat was the kitchen and tidy was she;
There at her window a sempstress sat stitching;
"Were I a sempstress, how happy I'd be!"
"Only a Queen!" She looked over the waters,--
Fair was her kingdom and mighty was she;
There sat an Empress, with Queens for her daughters;
"Were I an Empress, how happy I'd be!"
Still the old frailty they all of them trip in!
Eve in her daughters is ever the same;
Give her all Eden, she sighs for a pippin;
Give her an Empire, she pines for a name!
May 8, 1876.
HOW THE OLD HORSE WON THE BET
DEDICATED BY A CONTRIBUTOR TO THE COLLEGIAN,
1830, TO THE EDITORS OF THE HARVARD ADVOCATE, 1876.
'T WAS on the famous trotting-ground,
The betting men were gathered round
From far and near; the "cracks" were there
Whose deeds the sporting prints declare
The swift g. m., Old Hiram's nag,
The fleet s. h., Dan Pfeiffer's brag,
With these a third--and who is he
That stands beside his fast b. g.?
Budd Doble, whose catarrhal name
So fills the nasal trump of fame.
There too stood many a noted steed
Of Messenger and Morgan breed;
Green horses also, not a few;
Unknown as yet what they could do;
And all the hacks that know so well
The scourgings of the Sunday swell.
Blue are the skies of opening day;
The bordering turf is green with May;
The sunshine's golden gleam is thrown
On sorrel, chestnut, bay, and roan;
The horses paw and prance and neigh,
Fillies and colts like kittens play,
And dance and toss their rippled manes
Shining and soft as silken skeins;
Wagons and gigs are ranged about,
And fashion flaunts her gay turn-out;
Here stands--each youthful Jehu's dream
The jointed tandem, ticklish team!
And there in ampler breadth expand
The splendors of the four-in-hand;
On faultless ties and glossy tiles
The lovely bonnets beam their smiles;
(The style's the man, so books avow;
The style's the woman, anyhow);
From flounces frothed with creamy lace
Peeps out the pug-dog's smutty face,
Or spaniel rolls his liquid eye,
Or stares the wiry pet of Skye,--
O woman, in your hours of ease
So shy with us, so free with these!
"Come on! I 'll bet you two to one
I 'll make him do it!" "Will you? Done!"
What was it who was bound to do?
I did not hear and can't tell you,--
Pray listen till my story's through.
Scarce noticed, back behind the rest,
By cart and wagon rudely prest,
The parson's lean and bony bay
Stood harnessed in his one-horse shay--
Lent to his sexton for the day;
(A funeral--so the sexton said;
His mother's uncle's wife was dead.)
Like Lazarus bid to Dives' feast,
So looked the poor forlorn old beast;
His coat was rough, his tail was bare,
The gray was sprinkled in his hair;
Sportsmen and jockeys knew him not,
And yet they say he once could trot
Among the fleetest of the town,
Till something cracked and broke him down,--
The steed's, the statesman's, common lot!
"And are we then so soon forgot?"
Ah me! I doubt if one of you
Has ever heard the name "Old Blue,"
Whose fame through all this region rung
In those old days when I was young!
"Bring forth the horse!" Alas! he showed
Not like the one Mazeppa rode;
Scant-maned, sharp-backed, and shaky-kneed,
The wreck of what was once a steed,
Lips thin, eyes hollow, stiff in joints;
Yet not without his knowing points.
The sexton laughing in his sleeve,
As if 't were all a make-believe,
Led forth the horse, and as he laughed
Unhitched the breeching from a shaft,
Unclasped the rusty belt beneath,
Drew forth the snaffle from his teeth,
Slipped off his head-stall, set him free
From strap and rein,--a sight to see!
So worn, so lean in every limb,
It can't be they are saddling him!
It is! his back the pig-skin strides
And flaps his lank, rheumatic sides;
With look of mingled scorn and mirth
They buckle round the saddle-girth;
With horsey wink and saucy toss
A youngster throws his leg across,
And so, his rider on his back,
They lead him, limping, to the track,
Far up behind the starting-point,
To limber out each stiffened joint.
As through the jeering crowd he past,
One pitying look Old Hiram cast;
"Go it, ye cripple, while ye can!"
Cried out unsentimental Dan;
"A Fast-Day dinner for the crows!"
Budd Doble's scoffing shout arose.
Slowly, as when the walking-beam
First feels the gathering head of steam,
With warning cough and threatening wheeze
The stiff old charger crooks his knees;
At first with cautious step sedate,
As if he dragged a coach of state
He's not a colt; he knows full well
That time is weight and sure to tell;
No horse so sturdy but he fears
The handicap of twenty years.
As through the throng on either hand
The old horse nears the judges' stand,
Beneath his jockey's feather-weight
He warms a little to his gait,
And now and then a step is tried
That hints of something like a stride.
"Go!"--Through his ear the summons stung
As if a battle-trump had rung;
The slumbering instincts long unstirred
Start at the old familiar word;
It thrills like flame through every limb,--
What mean his twenty years to him?
The savage blow his rider dealt
Fell on his hollow flanks unfelt;
The spur that pricked his staring hide
Unheeded tore his bleeding side;
Alike to him are spur and rein,--
He steps a five-year-old again!
Before the quarter pole was past,
Old Hiram said, "He's going fast."
Long ere the quarter was a half,
The chuckling crowd had ceased to laugh;
Tighter his frightened jockey clung
As in a mighty stride he swung,
The gravel flying in his track,
His neck stretched out, his ears laid back,
His tail extended all the while
Behind him like a rat-tail file!
Off went a shoe,--away it spun,
Shot like a bullet from a gun;
The quaking jockey shapes a prayer
From scraps of oaths he used to swear;
He drops his whip, he drops his rein,
He clutches fiercely for a mane;
He'll lose his hold--he sways and reels--
He'll slide beneath those trampling heels!
The knees of many a horseman quake,
The flowers on many a bonnet shake,
And shouts arise from left and right,
"Stick on! Stick on!" "Hould tight! Hould tight!"
"Cling round his neck and don't let go--"
"That pace can't hold--there! steady! whoa!"
But like the sable steed that bore
The spectral lover of Lenore,
His nostrils snorting foam and fire,
No stretch his bony limbs can tire;
And now the stand he rushes by,
And "Stop him!--stop him!" is the cry.
Stand back! he 's only just begun--
He's having out three heats in one!
"Don't rush in front! he'll smash your brains;
But follow up and grab the reins!"
Old Hiram spoke. Dan Pfeiffer heard,
And sprang impatient at the word;
Budd Doble started on his bay,
Old Hiram followed on his gray,
And off they spring, and round they go,
The fast ones doing "all they know."
Look! twice they follow at his heels,
As round the circling course he wheels,
And whirls with him that clinging boy
Like Hector round the walls of Troy;
Still on, and on, the third time round
They're tailing off! they're losing ground!
Budd Doble's nag begins to fail!
Dan Pfeiffer's sorrel whisks his tail!
And see! in spite of whip and shout,
Old Hiram's mare is giving out!
Now for the finish! at the turn,
The old horse--all the rest astern--
Comes swinging in, with easy trot;
By Jove! he's distanced all the lot!