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Publishers Newswire Announces its Latest List of 11 Books to Bookmark, for Q3/2008
REDONDO BEACH, Calif. -- Publishers Newswire, an online resource for small publishers, as well as lesser known and first-time book authors, announces its latest quarterly 'Books to Bookmark' list, for Q3/2008. This list is a round-up of new and interesting books which are often missed due to not originating from 'big name' authors, or major New York book publishing houses.

New Book 'Lady's Hands, Lion's Heart,' A Midwife's Saga by Carol Leonard
CONCORD, N.H. -- Announcing a new book from Bad Beaver Publishing, 'Lady's Hands, Lion's Heart, A Midwife's Saga' (ISBN 978-0-615-19550-6), by author Carol Leonard. Often laugh-out-loud funny and irreverent, occasionally disturbing and deeply sorrowful, Lady's Hands, Lion's Heart is the saga of Ms. Leonard's journey as New Hampshire's first modern midwife.

New Book: A Prosecutor's Anguish...The Untold Story of The Atlanta Courthouse Shootings
JACKSONVILLE, Fla. -- Widely anticipated new book about the Atlanta Courthouse Shootings, written by respected trial attorney, turned author, Shoran Reid. Waking the Sleeping Demon: 26 Hours of Terror in Atlanta (ISBN: 978-0-615-20749-0, Rella Publishing), follows the terrifying hours Former Prosecutor Ash Joshi felt hunted by Atlanta Courthouse Shooter Brian Nichols and reveals new information about events prior to and after the tragedy.

Plays - Susan Glaspell

S >> Susan Glaspell >> Plays

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Plays by

Susan Glaspell


TRIFLES

THE OUTSIDE

THE VERGE

INHERITORS




TRIFLES


First performed by the Provincetown Players at the Wharf Theatre,
Provincetown, Mass., August 8, 1916.


GEORGE HENDERSON (County Attorney)

HENRY PETERS (Sheriff)

LEWIS HALE, A neighboring farmer

MRS PETERS

MRS HALE


SCENE: _The kitchen is the now abandoned farmhouse of_ JOHN WRIGHT, _a
gloomy kitchen, and left without having been put in order--unwashed pans
under the sink, a loaf of bread outside the bread-box, a dish-towel on
the table--other signs of incompleted work. At the rear the outer door
opens and the_ SHERIFF _comes in followed by the_ COUNTY ATTORNEY _and_
HALE. _The_ SHERIFF _and_ HALE _are men in middle life, the_ COUNTY
ATTORNEY _is a young man; all are much bundled up and go at once to the
stove. They are followed by the two women--the_ SHERIFF_'s wife first;
she is a slight wiry woman, a thin nervous face_. MRS HALE _is larger
and would ordinarily be called more comfortable looking, but she is
disturbed now and looks fearfully about as she enters. The women have
come in slowly, and stand close together near the door_.

COUNTY ATTORNEY: (_rubbing his hands_) This feels good. Come up to the
fire, ladies.

MRS PETERS: (_after taking a step forward_) I'm not--cold.

SHERIFF: (_unbuttoning his overcoat and stepping away from the stove as
if to mark the beginning of official business_) Now, Mr Hale, before we
move things about, you explain to Mr Henderson just what you saw when
you came here yesterday morning.

COUNTY ATTORNEY: By the way, has anything been moved? Are things just as
you left them yesterday?

SHERIFF: (_looking about_) It's just the same. When it dropped below
zero last night I thought I'd better send Frank out this morning to make
a fire for us--no use getting pneumonia with a big case on, but I told
him not to touch anything except the stove--and you know Frank.

COUNTY ATTORNEY: Somebody should have been left here yesterday.

SHERIFF: Oh--yesterday. When I had to send Frank to Morris Center for
that man who went crazy--I want you to know I had my hands full
yesterday. I knew you could get back from Omaha by today and as long as
I went over everything here myself--

COUNTY ATTORNEY: Well, Mr Hale, tell just what happened when you came
here yesterday morning.

HALE: Harry and I had started to town with a load of potatoes. We came
along the road from my place and as I got here I said, I'm going to see
if I can't get John Wright to go in with me on a party telephone.' I
spoke to Wright about it once before and he put me off, saying folks
talked too much anyway, and all he asked was peace and quiet--I guess
you know about how much he talked himself; but I thought maybe if I went
to the house and talked about it before his wife, though I said to Harry
that I didn't know as what his wife wanted made much difference to
John--

COUNTY ATTORNEY: Let's talk about that later, Mr Hale. I do want to talk
about that, but tell now just what happened when you got to the house.

HALE: I didn't hear or see anything; I knocked at the door, and still it
was all quiet inside. I knew they must be up, it was past eight o'clock.
So I knocked again, and I thought I heard somebody say, 'Come in.' I
wasn't sure, I'm not sure yet, but I opened the door--this door
(_indicating the door by which the two women are still standing_) and
there in that rocker--(_pointing to it_) sat Mrs Wright.

(_They all look at the rocker_.)

COUNTY ATTORNEY: What--was she doing?

HALE: She was rockin' back and forth. She had her apron in her hand and
was kind of--pleating it.

COUNTY ATTORNEY: And how did she--look?

HALE: Well, she looked queer.

COUNTY ATTORNEY: How do you mean--queer?

HALE: Well, as if she didn't know what she was going to do next. And
kind of done up.

COUNTY ATTORNEY: How did she seem to feel about your coming?

HALE: Why, I don't think she minded--one way or other. She didn't pay
much attention. I said, 'How do, Mrs Wright it's cold, ain't it?' And
she said, 'Is it?'--and went on kind of pleating at her apron. Well, I
was surprised; she didn't ask me to come up to the stove, or to set
down, but just sat there, not even looking at me, so I said, 'I want to
see John.' And then she--laughed. I guess you would call it a laugh. I
thought of Harry and the team outside, so I said a little sharp: 'Can't
I see John?' 'No', she says, kind o' dull like. 'Ain't he home?' says I.
'Yes', says she, 'he's home'. 'Then why can't I see him?' I asked her,
out of patience. ''Cause he's dead', says she. _'Dead_?' says I. She
just nodded her head, not getting a bit excited, but rockin' back and
forth. 'Why--where is he?' says I, not knowing what to say. She just
pointed upstairs--like that (_himself pointing to the room above_) I got
up, with the idea of going up there. I walked from there to here--then I
says, 'Why, what did he die of?' 'He died of a rope round his neck',
says she, and just went on pleatin' at her apron. Well, I went out and
called Harry. I thought I might--need help. We went upstairs and there
he was lyin'--

COUNTY ATTORNEY: I think I'd rather have you go into that upstairs,
where you can point it all out. Just go on now with the rest of the
story.

HALE: Well, my first thought was to get that rope off. It looked ...
(_stops, his face twitches_) ... but Harry, he went up to him, and he
said, 'No, he's dead all right, and we'd better not touch anything.' So
we went back down stairs. She was still sitting that same way. 'Has
anybody been notified?' I asked. 'No', says she unconcerned. 'Who did
this, Mrs Wright?' said Harry. He said it business-like--and she stopped
pleatin' of her apron. 'I don't know', she says. 'You don't _know_?'
says Harry. 'No', says she. 'Weren't you sleepin' in the bed with him?'
says Harry. 'Yes', says she, 'but I was on the inside'. 'Somebody
slipped a rope round his neck and strangled him and you didn't wake up?'
says Harry. 'I didn't wake up', she said after him. We must 'a looked as
if we didn't see how that could be, for after a minute she said, 'I
sleep sound'. Harry was going to ask her more questions but I said maybe
we ought to let her tell her story first to the coroner, or the sheriff,
so Harry went fast as he could to Rivers' place, where there's a
telephone.

COUNTY ATTORNEY: And what did Mrs Wright do when she knew that you had
gone for the coroner?

HALE: She moved from that chair to this one over here (_pointing to a
small chair in the corner_) and just sat there with her hands held
together and looking down. I got a feeling that I ought to make some
conversation, so I said I had come in to see if John wanted to put in a
telephone, and at that she started to laugh, and then she stopped and
looked at me--scared, (_the_ COUNTY ATTORNEY, _who has had his notebook
out, makes a note_) I dunno, maybe it wasn't scared. I wouldn't like to
say it was. Soon Harry got back, and then Dr Lloyd came, and you, Mr
Peters, and so I guess that's all I know that you don't.

COUNTY ATTORNEY: (_looking around_) I guess we'll go upstairs first--and
then out to the barn and around there, (_to the_ SHERIFF) You're
convinced that there was nothing important here--nothing that would
point to any motive.

SHERIFF: Nothing here but kitchen things.

(_The_ COUNTY ATTORNEY, _after again looking around the kitchen, opens
the door of a cupboard closet. He gets up on a chair and looks on a
shelf. Pulls his hand away, sticky_.)

COUNTY ATTORNEY: Here's a nice mess.

(_The women draw nearer_.)

MRS PETERS: (_to the other woman_) Oh, her fruit; it did freeze, (_to
the_ LAWYER) She worried about that when it turned so cold. She said the
fire'd go out and her jars would break.

SHERIFF: Well, can you beat the women! Held for murder and worryin'
about her preserves.

COUNTY ATTORNEY: I guess before we're through she may have something
more serious than preserves to worry about.

HALE: Well, women are used to worrying over trifles.

(_The two women move a little closer together_.)

COUNTY ATTORNEY: (_with the gallantry of a young politician_) And yet,
for all their worries, what would we do without the ladies? (_the women
do not unbend. He goes to the sink, takes a dipperful of water from the
pail and pouring it into a basin, washes his hands. Starts to wipe them
on the roller-towel, turns it for a cleaner place_) Dirty towels!
(_kicks his foot against the pans under the sink_) Not much of a
housekeeper, would you say, ladies?

MRS HALE: (_stiffly_) There's a great deal of work to be done on a farm.

COUNTY ATTORNEY: To be sure. And yet (_with a little bow to her_) I know
there are some Dickson county farmhouses which do not have such roller
towels. (_He gives it a pull to expose its length again_.)

MRS HALE: Those towels get dirty awful quick. Men's hands aren't always
as clean as they might be.

COUNTY ATTORNEY: Ah, loyal to your sex, I see. But you and Mrs Wright
were neighbors. I suppose you were friends, too.

MRS HALE: (_shaking her head_) I've not seen much of her of late years.
I've not been in this house--it's more than a year.

COUNTY ATTORNEY: And why was that? You didn't like her?

MRS HALE: I liked her all well enough. Farmers' wives have their hands
full, Mr Henderson. And then--

COUNTY ATTORNEY: Yes--?

MRS HALE: (_looking about_) It never seemed a very cheerful place.

COUNTY ATTORNEY: No--it's not cheerful. I shouldn't say she had the
homemaking instinct.

MRS HALE: Well, I don't know as Wright had, either.

COUNTY ATTORNEY: You mean that they didn't get on very well?

MRS HALE: No, I don't mean anything. But I don't think a place'd be any
cheerfuller for John Wright's being in it.

COUNTY ATTORNEY: I'd like to talk more of that a little later. I want to
get the lay of things upstairs now. (_He goes to the left, where three
steps lead to a stair door_.)

SHERIFF: I suppose anything Mrs Peters does'll be all right. She was to
take in some clothes for her, you know, and a few little things. We left
in such a hurry yesterday.

COUNTY ATTORNEY: Yes, but I would like to see what you take, Mrs Peters,
and keep an eye out for anything that might be of use to us.

MRS PETERS: Yes, Mr Henderson.

(_The women listen to the men's steps on the stairs, then look about the
kitchen_.)

MRS HALE: I'd hate to have men coming into my kitchen, snooping around
and criticising.

(_She arranges the pans under sink which the_ LAWYER _had shoved out of
place_.)

MRS PETERS: Of course it's no more than their duty.

MRS HALE: Duty's all right, but I guess that deputy sheriff that came
out to make the fire might have got a little of this on. (_gives the
roller towel a pull_) Wish I'd thought of that sooner. Seems mean to
talk about her for not having things slicked up when she had to come
away in such a hurry.

MRS PETERS: (_who has gone to a small table in the left rear corner of
the room, and lifted one end of a towel that covers a pan_) She had
bread set. (_Stands still_.)

MRS HALE: (_eyes fixed on a loaf of bread beside the bread-box, which is
on a low shelf at the other side of the room. Moves slowly toward it_)
She was going to put this in there, (_picks up loaf, then abruptly drops
it. In a manner of returning to familiar things_) It's a shame about her
fruit. I wonder if it's all gone. (_gets up on the chair and looks_) I
think there's some here that's all right, Mrs Peters. Yes--here;
(_holding it toward the window_) this is cherries, too. (_looking
again_) I declare I believe that's the only one. (_gets down, bottle in
her hand. Goes to the sink and wipes it off on the outside_) She'll feel
awful bad after all her hard work in the hot weather. I remember the
afternoon I put up my cherries last summer.

(_She puts the bottle on the big kitchen table, center of the room. With
a sigh, is about to sit down in the rocking-chair. Before she is seated
realizes what chair it is; with a slow look at it, steps back. The chair
which she has touched rocks back and forth_.)

MRS PETERS: Well, I must get those things from the front room closet,
(_she goes to the door at the right, but after looking into the other
room, steps back_) You coming with me, Mrs Hale? You could help me carry
them.

(_They go in the other room; reappear,_ MRS PETERS _carrying a dress and
skirt,_ MRS HALE _following with a pair of shoes._)

MRS PETERS: My, it's cold in there.

(_She puts the clothes on the big table, and hurries to the stove._)

MRS HALE: (_examining the skirt_) Wright was close. I think maybe that's
why she kept so much to herself. She didn't even belong to the Ladies
Aid. I suppose she felt she couldn't do her part, and then you don't
enjoy things when you feel shabby. She used to wear pretty clothes and
be lively, when she was Minnie Foster, one of the town girls singing in
the choir. But that--oh, that was thirty years ago. This all you was to
take in?

MRS PETERS: She said she wanted an apron. Funny thing to want, for there
isn't much to get you dirty in jail, goodness knows. But I suppose just
to make her feel more natural. She said they was in the top drawer in
this cupboard. Yes, here. And then her little shawl that always hung
behind the door. (_opens stair door and looks_) Yes, here it is.

(_Quickly shuts door leading upstairs._)

MRS HALE: (_abruptly moving toward her_) Mrs Peters?

MRS PETERS: Yes, Mrs Hale?

MRS HALE: Do you think she did it?

MRS PETERS: (_in a frightened voice_) Oh, I don't know.

MRS HALE: Well, I don't think she did. Asking for an apron and her
little shawl. Worrying about her fruit.

MRS PETERS: (_starts to speak, glances up, where footsteps are heard in
the room above. In a low voice_) Mr Peters says it looks bad for her. Mr
Henderson is awful sarcastic in a speech and he'll make fun of her
sayin' she didn't wake up.

MRS HALE: Well, I guess John Wright didn't wake when they was slipping
that rope under his neck.

MRS PETERS: No, it's strange. It must have been done awful crafty and
still. They say it was such a--funny way to kill a man, rigging it all
up like that.

MRS HALE: That's just what Mr Hale said. There was a gun in the house.
He says that's what he can't understand.

MRS PETERS: Mr Henderson said coming out that what was needed for the
case was a motive; something to show anger, or--sudden feeling.

MRS HALE: (_who is standing by the table_) Well, I don't see any signs
of anger around here, (_she puts her hand on the dish towel which lies
on the table, stands looking down at table, one half of which is clean,
the other half messy_) It's wiped to here, (_makes a move as if to
finish work, then turns and looks at loaf of bread outside the breadbox.
Drops towel. In that voice of coming back to familiar things._) Wonder
how they are finding things upstairs. I hope she had it a little more
red-up up there. You know, it seems kind of sneaking. Locking her up in
town and then coming out here and trying to get her own house to turn
against her!

MRS PETERS: But Mrs Hale, the law is the law.

MRS HALE: I s'pose 'tis, (_unbuttoning her coat_) Better loosen up your
things, Mrs Peters. You won't feel them when you go out.

(MRS PETERS _takes off her fur tippet, goes to hang it on hook at back
of room, stands looking at the under part of the small corner table_.)

MRS PETERS: She was piecing a quilt. (_She brings the large sewing
basket and they look at the bright pieces_.)

MRS HALE: It's log cabin pattern. Pretty, isn't it? I wonder if she was
goin' to quilt it or just knot it?

(_Footsteps have been heard coming down the stairs_. The SHERIFF enters
followed by HALE and the COUNTY ATTORNEY.)

SHERIFF: They wonder if she was going to quilt it or just knot it! (_The
men laugh, the women look abashed_.)

COUNTY ATTORNEY: (_rubbing his hands over the stove_) Frank's fire
didn't do much up there, did it? Well, let's go out to the barn and get
that cleared up. (_The men go outside_.)

MRS HALE: (_resentfully_) I don't know as there's anything so strange,
our takin' up our time with little things while we're waiting for them
to get the evidence. (_she sits down at the big table smoothing out a
block with decision_) I don't see as it's anything to laugh about.

MRS PETERS: (_apologetically_) Of course they've got awful important
things on their minds.

(_Pulls up a chair and joins MRS HALE at the table_.)

MRS HALE: (_examining another block_) Mrs Peters, look at this one.
Here, this is the one she was working on, and look at the sewing! All
the rest of it has been so nice and even. And look at this! It's all
over the place! Why, it looks as if she didn't know what she was about!

(_After she has said this they look at each other, then start to glance
back at the door. After an instant_ MRS HALE _has pulled at a knot and
ripped the sewing_.)

MRS PETERS: Oh, what are you doing, Mrs Hale?

MRS HALE: (_mildly_) Just pulling out a stitch or two that's not sewed
very good. (_threading a needle_) Bad sewing always made me fidgety.

MRS PETERS: (nervously) I don't think we ought to touch things.

MRS HALE: I'll just finish up this end. (_suddenly stopping and leaning
forward_) Mrs Peters?

MRS PETERS: Yes, Mrs Hale?

MRS HALE: What do you suppose she was so nervous about?

MRS PETERS: Oh--I don't know. I don't know as she was nervous. I
sometimes sew awful queer when I'm just tired. (MRS HALE _starts to say
something, looks at_ MRS PETERS, _then goes on sewing_) Well I must get
these things wrapped up. They may be through sooner than we think,
(_putting apron and other things together_) I wonder where I can find a
piece of paper, and string.

MRS HALE: In that cupboard, maybe.

MRS PETERS: (_looking in cupboard_) Why, here's a bird-cage, (_holds it
up_) Did she have a bird, Mrs Hale?

MRS HALE: Why, I don't know whether she did or not--I've not been here
for so long. There was a man around last year selling canaries cheap,
but I don't know as she took one; maybe she did. She used to sing real
pretty herself.

MRS PETERS: (_glancing around_) Seems funny to think of a bird here. But
she must have had one, or why would she have a cage? I wonder what
happened to it.

MRS HALE: I s'pose maybe the cat got it.

MRS PETERS: No, she didn't have a cat. She's got that feeling some
people have about cats--being afraid of them. My cat got in her room and
she was real upset and asked me to take it out.

MRS HALE: My sister Bessie was like that. Queer, ain't it?

MRS PETERS: (_examining the cage_) Why, look at this door. It's broke.
One hinge is pulled apart.

MRS HALE: (_looking too_) Looks as if someone must have been rough with
it.

MRS PETERS: Why, yes.

(_She brings the cage forward and puts it on the table_.)

MRS HALE: I wish if they're going to find any evidence they'd be about
it. I don't like this place.

MRS PETERS: But I'm awful glad you came with me, Mrs Hale. It would be
lonesome for me sitting here alone.

MRS HALE: It would, wouldn't it? (_dropping her sewing_) But I tell you
what I do wish, Mrs Peters. I wish I had come over sometimes when _she_
was here. I--(_looking around the room_)--wish I had.

MRS PETERS: But of course you were awful busy, Mrs Hale--your house and
your children.

MRS HALE: I could've come. I stayed away because it weren't
cheerful--and that's why I ought to have come. I--I've never liked this
place. Maybe because it's down in a hollow and you don't see the road. I
dunno what it is, but it's a lonesome place and always was. I wish I had
come over to see Minnie Foster sometimes. I can see now--(_shakes her
head_)

MRS PETERS: Well, you mustn't reproach yourself, Mrs Hale. Somehow we
just don't see how it is with other folks until--something comes up.

MRS HALE: Not having children makes less work--but it makes a quiet
house, and Wright out to work all day, and no company when he did come
in. Did you know John Wright, Mrs Peters?

MRS PETERS: Not to know him; I've seen him in town. They say he was a
good man.

MRS HALE: Yes--good; he didn't drink, and kept his word as well as most,
I guess, and paid his debts. But he was a hard man, Mrs Peters. Just to
pass the time of day with him--(_shivers_) Like a raw wind that gets to
the bone, (_pauses, her eye falling on the cage_) I should think she
would 'a wanted a bird. But what do you suppose went with it?

MRS PETERS: I don't know, unless it got sick and died.

(_She reaches over and swings the broken door, swings it again, both
women watch it_.)

MRS HALE: You weren't raised round here, were you? (_MRS PETERS shakes
her head_) You didn't know--her?

MRS PETERS: Not till they brought her yesterday.

MRS HALE: She--come to think of it, she was kind of like a bird
herself--real sweet and pretty, but kind of timid and--fluttery.
How--she--did--change. (_silence; then as if struck by a happy thought
and relieved to get back to everyday things_) Tell you what, Mrs Peters,
why don't you take the quilt in with you? It might take up her mind.

MRS PETERS: Why, I think that's a real nice idea, Mrs Hale. There
couldn't possibly be any objection to it, could there? Now, just what
would I take? I wonder if her patches are in here--and her things.

(_They look in the sewing basket_.)

MRS HALE: Here's some red. I expect this has got sewing things in it.
(_brings out a fancy box_) What a pretty box. Looks like something
somebody would give you. Maybe her scissors are in here. (_Opens box.
Suddenly puts her hand to her nose_) Why--(MRS PETERS _bends nearer,
then turns her face away_) There's something wrapped up in this piece of
silk.

MRS PETERS: Why, this isn't her scissors.

MRS HALE: (_lifting the silk_) Oh, Mrs Peters--it's--

(MRS PETERS _bends closer_.)

MRS PETERS: It's the bird.

MRS HALE: (_jumping up_) But, Mrs Peters--look at it! It's neck! Look at
its neck!

It's all--other side _to_.

MRS PETERS: Somebody--wrung--its--neck.

(_Their eyes meet. A look of growing comprehension, of horror. Steps are
heard outside_. MRS HALE _slips box under quilt pieces, and sinks into
her chair. Enter_ SHERIFF _and_ COUNTY ATTORNEY. MRS PETERS _rises_.)

COUNTY ATTORNEY: (_as one turning from serious things to little
pleasantries_) Well ladies, have you decided whether she was going to
quilt it or knot it?

MRS PETERS: We think she was going to--knot it.

COUNTY ATTORNEY: Well, that's interesting, I'm sure. (_seeing the
birdcage_) Has the bird flown?

MRS HALE: (_putting more quilt pieces over the box_) We think the--cat
got it.

COUNTY ATTORNEY: (_preoccupied_) Is there a cat?

(MRS HALE _glances in a quick covert way at_ MRS PETERS.)

MRS PETERS: Well, not now. They're superstitious, you know. They leave.

COUNTY ATTORNEY: (_to_ SHERIFF PETERS, _continuing an interrupted
conversation_) No sign at all of anyone having come from the outside.
Their own rope. Now let's go up again and go over it piece by piece.
(_they start upstairs_) It would have to have been someone who knew just
the--

(MRS PETERS _sits down. The two women sit there not looking at one
another, but as if peering into something and at the same time holding
back. When they talk now it is in the manner of feeling their way over
strange ground, as if afraid of what they are saying, but as if they can
not help saying it_.)

MRS HALE: She liked the bird. She was going to bury it in that pretty
box.

MRS PETERS: (_in a whisper_) When I was a girl--my kitten--there was a
boy took a hatchet, and before my eyes--and before I could get
there--(_covers her face an instant_) If they hadn't held me back I
would have--(_catches herself, looks upstairs where steps are heard,
falters weakly_)--hurt him.

MRS HALE: (_with a slow look around her_) I wonder how it would seem
never to have had any children around, (_pause_) No, Wright wouldn't
like the bird--a thing that sang. She used to sing. He killed that, too.

MRS PETERS: (_moving uneasily_) We don't know who killed the bird.

MRS HALE: I knew John Wright.

MRS PETERS: It was an awful thing was done in this house that night, Mrs
Hale. Killing a man while he slept, slipping a rope around his neck that
choked the life out of him.

MRS HALE: His neck. Choked the life out of him.

(_Her hand goes out and rests on the bird-cage_.)

MRS PETERS: (_with rising voice_) We don't know who killed him. We don't
_know_.

MRS HALE: (_her own feeling not interrupted_) If there'd been years and
years of nothing, then a bird to sing to you, it would be awful--still,
after the bird was still.

MRS PETERS: (_something within her speaking_) I know what stillness is.
When we homesteaded in Dakota, and my first baby died--after he was two
years old, and me with no other then--

MRS HALE: (_moving_) How soon do you suppose they'll be through, looking
for the evidence?

MRS PETERS: I know what stillness is. (_pulling herself back_) The law
has got to punish crime, Mrs Hale.

MRS HALE: (_not as if answering that_) I wish you'd seen Minnie Foster
when she wore a white dress with blue ribbons and stood up there in the
choir and sang. (_a look around the room_) Oh, I _wish_ I'd come over
here once in a while! That was a crime! That was a crime! Who's going to
punish that?


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